Friday 26 January 2024

16 Tips for Beautiful Travel Portrait Photography

The post 16 Tips for Beautiful Travel Portrait Photography appeared first on Digital Photography School. It was authored by Philipp Dukatz.

travel portrait photography tips

This article was updated in January 2024 with contributions from Philipp Dukatz, Ben McKechnie, Oded Wagenstein, Matt Dutile, Darren Rowse, Kevin Landwer-Johan, Suzi Pratt, and Peter West Carey.

Travel portrait photography might seem difficult – but with the right approach, it’s surprisingly easy.

I’ve taken photos of people while traveling all around the world, and in this article, I explain everything you need to know for stunning travel portraiture, including:

  • The best ways to approach locals
  • A simple trick to set your subjects at ease
  • How to choose the right gear
  • How to find the best locations
  • Much more!

So if you want to become a travel photography master, then let’s dive right in, starting with my first tip:

1. Be ready for beautiful moments

travel portrait photography

If you’re serious about capturing top-notch travel portraits, then you should be ready to fire the camera shutter at all times.

Travel portraiture is all about shooting the brief moments – the glimpses into a person’s life that aren’t replicable. You’re not doing landscape photography, where you (often) have plenty of time to select a lens, set up your tripod, and choose your settings; instead, you’re doing travel portraits, which require a fast shutter finger and intense mental focus.

That’s why you should constantly scan the environment, looking for potential candid subjects. And even once you’ve found a subject, watch them carefully for a memorable split-second expression.

Also, make sure you take your lens cap off, switch your camera on, adjust your travel settings in advance, and be ready to shoot!

travel portrait photography

2. Get close to your subject

Do you feel your travel portraits look boring? It’s probably because you are too far away.

travel portrait photography

I know it feels awkward to get close to someone you don’t know, especially in a foreign country. It seems so much easier to shoot from a distance and capture a more environmental travel portrait, or to break out that telephoto lens, zoom in, and click away.

Unfortunately, in my experience, this just won’t work.

If you want to capture crisp, sharp, extraordinary images that tell a story and leave your audience stunned, you must overcome your shyness. A close perspective will add more details to your subject’s face; it will also simplify the composition so that you’re focusing on just one or two elements. And by walking in close, you’ll gain control over key items: the lighting, the background, the composition, and the depth of field. These factors are vital in good portrait photography and are so much easier to adjust when you are close to your subject.

How can you get up close without feeling uncomfortable? That’s what I explain in my next few tips:

3. Practice approaching people

travel portrait photography

It’s the biggest challenge in travel portrait photography: How do you get close to people without bothering them? How do you talk to strangers and ask for permission to take pictures?

My recommendation:

Start by practicing.

Think about what you might say to a person. Write out a script (or three) if you have to. Then practice it in the mirror. Practice smiling, practice gesturing to your camera, and practice saying the script repeatedly until it becomes automatic.

Sure, you might feel a bit silly – but when it comes time to actually approach a person, it’ll be so much easier!

When you’re approaching a person for real, it’s all about your attitude. So make contact, seem upbeat, talk, and – most importantly! – smile.

Bottom line: Don’t be shy, adapt to the local culture, get to know people, make friends, and you will take great pictures.

4. Learn the basics of the local language

You may be wondering:

If I don’t know the local language, then how can I approach people and interact successfully?

It’s simple: Just learn a few basic phrases. These won’t take much effort, but they’ll go a long way to helping you approach people. In my experience, these are the six most important phrases you should learn before traveling to a new country:

  • Hello, how are you?
  • My name is …?
  • I am from …?
  • What is your name?
  • Thank you!
  • Beautiful!

Practice the phrases on bus rides, and ask your hotel receptionist, taxi driver, or local friends how to pronounce words. Don’t be afraid to make mistakes!

Then, when you’re out shooting, go up to people with your camera and use the phrases. Once you’ve gotten acquainted, gesture to your camera – and if you get the nod of approval, take their photo!

travel portrait photography

5. Smile a lot!

I said it before, but it’s so important that it deserves its own section:

Whatever you do, when you’re approaching strangers, make sure to smile. A smile can go such a long way. If you are grumpy and angry because you’re not getting the shots you want, it’ll put people off. No one will want to go near you, and people definitely won’t want to get their picture taken by you.

If you do it right, when you come home from a photo walk, you’ll have lots of pictures. And your cheeks should hurt from all the smiling!

travel portrait photography

6. Take your time

Once you’ve made contact with a potential subject, and you’ve established a good vibe, it’s time to take a picture. But don’t rush; that will make your subject uncomfortable, and it won’t make for a good result.

Instead, take advantage of all the “work” you’ve put in and take your time. Be calm, think about the light, think about what you want to emphasize (the eyes, the hands, or the person itself), and think about the background. Take a deep breath and try a couple of shots. Maybe switch angles and test out different compositions.

As you work, your subject will also become more relaxed and get used to the camera. Again, there is no need to rush. In my experience, a slow portrait is nearly always better than a fast one!

travel portrait photography

7. Don’t be afraid to capture candid portraits

When encountering people who are totally engrossed in what they are doing, it’s best not to interrupt them. Instead, remain separate and capture candid or semi-candid photos.

I rarely hide my camera; instead, I prefer to have it out in the open so people can be aware that I’m taking photos. Most folks pay no attention, especially when you’re in a tourist area.

For this next photo, I wanted to capture the young boy advertising goods at the top of his voice. He and the older man (I assume it was his grandfather that he was helping) were aware of my presence and that I was taking photos. I was able to do so without disrupting the action.

16 Tips for Beautiful Travel Portrait Photography
Image by Kevin Landwer-Johan

8. Choose a strong composition

Numerous compositions can work for portraits. The rule of thirds can work incredibly well, but don’t overdo it or all your travel portraits will look the same.

Another approach is to place one of your subject’s eyes directly in the center of the frame; a study proved that portraits composed this way appeal to viewers on a subconscious level. (I promise I’m not making that up!) It’s a trick that can be applied in both portrait and landscape orientation.

A general rule exists in travel portraiture that you shouldn’t place your subject directly in the center of the frame. However, rules are made to be broken sometimes!

How to Shoot Engaging Travel Portraits from Start to Finish
As I stood taking pictures of the Banaue rice terraces, I heard a frail voice saying “Photo? Who is taking a photo?” It belonged to a 96-year-old woman named Bah Gu-An. She was completely blind. I wasn’t sure how to communicate as I normally would for a portrait, so took her hands in mine to let her know I was there. Her friends translated back and forth for us. I decided on a rule of thirds composition because I felt the blue umbrella added extra visual interest and balance to the frame.
(Image by Ben McKechnie)

9. Come down to their eye level

Try not to stand above your subject if they are sitting. It’s intimidating and works against your goal to relax the person. Positive psychological things happen when you get down on someone’s eye level. Take a look at the example below:

How to Shoot Engaging Travel Portraits from Start to Finish
A Hindu holy man on a tiny island in the Brahmaputra River, Assam, India.
(Image by Ben McKechnie)

The image was not captured in a touristy location in India, so he is the real deal. I sat down on the step to receive a blessing. Accompanied by mystical chanting, I drank some lukewarm tea of unknown provenance, had air blown all over my face, and ash spread across my forehead. We chatted after, and I felt in no rush to suggest a portrait. It was a fascinating experience. What do you think when you look at his facial expression – is the time spent together palpable?

10. Always be aware of the lighting

Light will add feeling to your travel portraits when you use it well. Look at the type of lighting in the location where you’re making your portraits. Is it conducive to the style of the portrait you wish to capture? Do you need to come back at another time of the day or night? Will adding some flash improve the shot?

When you’re traveling, you often can’t wait for the right light, so you must make the best use of available light. When the light at the location is not great, you need to get creative and add illumination – either with a flash or a reflector.

For this night portrait of a Samlor rider, I was able to position him to make the most of the light in the street market behind him. I also used my flash to illuminate him and help catch a glimpse of the motorcycle passing behind.

16 Tips for Beautiful Travel Portrait Photography
Image by Kevin Landwer-Johan

11. Don’t be afraid to move

Reality can be quite boring, and while there are plenty of great subjects, not all compositions work – so don’t get stuck capturing the same obvious, conventional shots.

Instead, when you approach a new subject, think about all the different crops and angles you might use. Envision a strong image in your head. Then move to make it happen!

In particular, pay attention to your subject’s position in the scene and how they relate to elements in the foreground and the background. You don’t want trees or signs coming out of your subject’s head, and you don’t want any strong splashes of color that will distract the viewer, either.

Fortunately, just by taking a few steps to the right or left, you can often eliminate distractions and/or include additional beautiful elements.

Don’t be lazy! And don’t just rely on your lens’s zoom capabilities. For the best shots, move those feet!

travel portrait photography

12. Get a 50mm lens

I know, I know: You can take great travel photos with any lens (and any camera, for that matter). However, certain lenses are ideal for certain types of photography, and if you want stunning travel portrait photos, I highly recommend you invest in a 50mm lens.

What makes a 50mm lens so special?

For one, the perspective is very natural and therefore great for portraits. You’ll be able to capture detailed shots without standing too close to your subject, but you’ll also be able to back up for a wider field of view in case you want to take some environmental images.

Plus, a 50mm prime lens will force you to really think about your compositions. You won’t be able to zoom in on your subjects; if you want to get a tight shot, you’ll need to make the deliberate decision to move closer.

Bonus: 50mm lenses are super portable, which means you can carry one all day and you won’t notice the weight.

travel portrait photography

13. Choose the right settings for travel portraits

With my fixed focal lens, I often shoot portraits at f/2.8 or slightly above. If you shoot any wider, the focal plane can be so thin that you risk your subject’s eyes being in focus but having their nose out of focus. For a zoom lens, I recommend selecting your widest aperture but standing further away from your subject. Zooming in on their face will accentuate the shallow depth of field effect that works so well for portraits.

How to Shoot Engaging Travel Portraits from Start to Finish
A Muslim traveler at Haji Ali Dargah, an Islamic shrine off the coast of Mumbai – India.
(Image by Ben McKechnie)

For engaging portraits, the most important element requiring sharp focus is the eyes. I suggest setting your camera to spot focus on the center AF point. Next, aim the center point at one of your subject’s eyes. Use the focus and recompose method or even better – the back button focus method to lock in on the eyes. This will ensure they’re in sharp focus in the finished photo.

14. Start by shooting kids and people in action

If you’re still feeling a bit uncomfortable about approaching people and asking for a shot, then start out easy:

With kids, and with people in action.

You see, kids are so easy to photograph. They usually love getting their picture taken; they’ll pose for long minutes and never get bored! Of course, be mindful of boundaries, and always ask the parents before shooting their child.

As for capturing people in action:

I’m talking about people who are doing something. For instance, you’ll have an easy time photographing a person playing a musical instrument, whereas a person doing nothing will surely notice your approach. Do you see what I mean? People who are busy with tasks won’t care about you taking pictures, so they’re a great beginner’s subject!

Pro tip: Look for traditional workshops or handicraft businesses. They usually make for great travel portrait opportunities!

travel portrait photography

15. Shoot a series with the same subject

When you have someone’s permission and have bonded with them, consider staying with them a while and shooting a series of images. This is what I did when I met a man in the Philippines recently. I directed him gently for a series of shots after telling him how interested people would be to learn about his culture. He was happy to oblige.

How to Shoot Engaging Travel Portraits from Start to Finish
I would have kicked myself if I’d walked away without getting a side profile shot of this man and his headdress that featured the real heads of a long-dead bird and monkey.
(Image by Ben McKechnie)
How to Shoot Engaging Travel Portraits from Start to Finish
I decided to fill the frame here to draw attention to his excellent smile, patterned clothes, and monkey headdress.
(Image by Ben McKechnie)

16. Get out of the touristy areas

Travel portrait photography is about capturing authentic images that really tell the story of a location.

And you won’t find that story in touristy hubs.

You see, tourist attractions are (usually) far from a country’s reality. Sure, take a few images in the tourist traps, but then move farther afield. Note that getting off the beaten track isn’t as difficult as you might think; sometimes it takes just 15 minutes to find yourself in a small, local village.

And as a photographer, that is where you want to be. You’ll meet real people who aren’t out to sell things. You will have more chances to interact, practice your newly acquired language skills, and take more authentic photographs.

Plus, it’ll make for a much better travel experience than the “Lonely Planet path.”

travel portrait photography

Travel portrait photography: final words

Capturing great travel portraits takes a little practice.

But it’s worth it.

So don’t be shy; instead, get out that camera, make friends with the locals, and capture some great photos! Take your time, open up, get close, and don’t forget to smile.

Now over to you:

Which of these travel portrait tips do you plan to use on your next trip? Share your thoughts in the comments below!

Table of contents

Travel Photography

The post 16 Tips for Beautiful Travel Portrait Photography appeared first on Digital Photography School. It was authored by Philipp Dukatz.



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Thursday 25 January 2024

Photo Editing for Beginners: A Simple Introduction

The post Photo Editing for Beginners: A Simple Introduction appeared first on Digital Photography School. It was authored by Lily Sawyer.

photo editing for beginners a simple introduction

Photo editing can be pretty daunting. Open up any post-processing program, and you’ll be confronted by a slew of sliders, tools, and options (it’s enough to make anyone feel overwhelmed!).

Fortunately, basic photography editing isn’t nearly as hard as it seems. There are a few simple steps you can take to get great results right off the bat, which I share in this article.

Specifically, I offer a series of basic principles that you can use when editing any image. They’re quick, they’re easy, and they’ll remain useful, even as you level up your editing skills and dive into more advanced applications.

So if you’re ready to get started with photo editing for beginners, then let’s dive right in!

Note: My instructions below reference Adobe Camera Raw and Lightroom Classic, but you can achieve the same results with any editing software, including Lightroom CC, ON1 Photo RAW, Capture One, and more.

1. Make sure you shoot in RAW

Technically, this guideline is about photographing, not editing – but it’s so important that I feel obligated to include it.

You see, cameras offer two main file formats: RAW and JPEG.

And while the JPEG format is nice for quick snapshots, if you want to do serious photo editing, then you need to be using RAW. It’ll give you far more flexibility; with a RAW file, you can dramatically alter exposure, white balance, color, and more. Whereas JPEG files only allow limited changes (and if you edit a JPEG file too heavily, you’ll end up with various unwanted artifacts, like banding).

One RAW drawback: It’s not an easily displayable format. Before you can send a RAW photo to friends, post it on social media, or post it on your website, you’ll need to use a RAW editor to convert it to a JPEG. Fortunately, programs like Adobe Camera Raw and Lightroom are designed specifically for RAW editing, so they make the conversion process quick and painless.

By the way, you can set the file format in your camera’s menu – and if you’re struggling, check your camera’s manual. These days, pretty much every camera offers a RAW file format (even smartphones!).

2. Start by correcting your exposure

When you bring up a RAW file in your editing program, you may find yourself wondering:

Where do I begin?

And while you can technically go in a hundred different directions, I’d really recommend you first look at your exposure, which is simply the overall brightness of your image.

You should see a simple Exposure slider in your post-processing program of choice:

adjusting the exposure slider

But before you adjust it, ask yourself:

How does my photo look? Is it too bright? Is it too dark? Is it just right?

Generally, you want at least some details in the image shadows and some details in the image highlights. Here, a helpful tool is the histogram, which looks like this:

using the histogram editing for beginners

The histogram shows the distribution of tones in your image. Peaks toward the middle of the histogram represent midtones, whereas peaks toward the left represent shadows and peaks toward the right represent highlights. Note that peaks pressing up against either side of the histogram indicate clipped details, which you should generally avoid (so if you do see these clipped areas, it’s a sign that adjusting your exposure is probably necessary).

After looking at your image and analyzing the histogram, simply move your Exposure slider until you get the result that you want.

(If you’re not sure how to proceed, I’d recommend simply pushing the Exposure slider back and forth while watching your image. You’ll quickly get a sense of what looks good and what doesn’t!)

Note that basic photography editing programs offer additional exposure sliders, and these allow for precise adjustments. For instance, the Highlights slider lets you adjust only the bright areas of the image, the Shadows slider lets you adjust only the dark areas of the image, and so on. Feel free to experiment with these sliders, though always keep your eye on the histogram as you make changes!

3. Select the right white balance

White balance is designed to counteract any unwanted color casts in your photos, and once you’ve adjusted your exposure, it’s the next beginner photo editing step I’d recommend.

Now, your camera will have already applied a white balance of some sort, but it often needs adjustment. A perfect white balance shows the whites in your images exactly as they look in real life (though you can always tweak this later for artistic reasons). Compare the two photos below, one with a too-cool white balance and one with a too-warm white balance:

white balance photo editing

Do you see the difference? Neither of the photos is properly white balanced, which is where your photo editing WB adjustment comes in handy.

Simply look for the white balance section in your post-processing program:

white balance sliders in Lightroom

Select the eyedropper tool, then click on an area of your image that should be a true white color. Your editor will automatically adjust the image for a perfect result (and if you don’t like the effect, or you simply want to adjust the white balance further for creative reasons, you can always move the Temp and Tint sliders until you get a nice look).

4. Boost the contrast (usually)

Contrast simply refers to the difference between the darks and lights in a photo, where intense darks and intense lights create high contrast, and softer darks and softer lights create low contrast.

RAW files tend to suffer from limited contrast, so it often makes sense to find your Contrast slider and increase it until you get a nice result:

contrast adjustment in Lightroom

Though you should always be careful not to take the contrast too far; otherwise, you’ll end up creating a garish, nightmarish effect.

By the way, if you’re after a softer, more ethereal look, you may want to decrease the Contrast slider. That’s what photographers often do when shooting in foggy conditions, where a low-contrast look enhances the mood.

(You also have the option to fine-tune the contrast with the Highlights, Shadows, Whites, and Blacks sliders. Have fun experimenting with different effects!)

5. Check the saturation

Saturation refers to the intensity of the colors in your image, which you can adjust via – you guessed it! – the Saturation slider:

changing the saturation in Lightroom

By boosting the saturation, you can add pop to your image, and so I do often recommend you add a bit of saturation – but carefully, like seasoning to a meal. It’s easy to go too far, and then you’ll end up with an unpleasant result.

Some post-processing programs offer an alternative, called vibrance. This is like saturation, but tends to be more subtle. If saturation isn’t giving you the look you’re after, go ahead and try vibrance instead. Or start by trying vibrance, then move on to saturation. The order isn’t important; it’s all about experimenting to achieve the effect you want!

On occasion, you should even decrease the vibrance and/or saturation. For instance, if you want a moody image but the colors are just too bright and powerful, try reducing the saturation. Here, a little change can go a long way, and by subtly dropping the saturation, you can get an interesting cinematic effect.

6. Reduce noise and increase sharpening

Here’s the final step in this basic photo editing workflow.

Find the portion of your post-processing program that deals with detail:

photo editing sharpening and noise reduction for beginners

And adjust both the sharpness levels and the noise levels.

Now, most RAW photos can do with a bit of sharpening. So go ahead and boost the sharpening amount (be sure to zoom in to 100% while you do this; that way, you can see the effects up close). If your image includes certain areas that you don’t want sharpened – a person’s face, for instance – consider boosting the Masking slider, which will ensure the sharpening only targets the more detailed areas of the shot.

Finally, while every image doesn’t need noise reduction, if you zoom to 100% and see little speckles, you’ll probably want to reduce both luminance noise and color noise. Note that too much noise reduction will decrease sharpness and look all-around bad, so don’t go overboard! Instead, boost the Luminance slider slightly, check the result, and then fine-tune. Do the same to the Color slider.

And you’re done! At this point, you can always dive into more advanced photo editing applications (e.g., adjust specific colors or work with the tone curve). Or you can export your image as a JPEG for sharing and viewing!

Photo editing for beginners: final words

final image photo editing for beginners

Now that you’ve finished this article, you know how to do basic photo editing – and you’re ready to start enhancing your images!

Of course, I’ve only offered a starting point, but it really will take you far. And once you’ve mastered the basics, the sky is the limit!

Now over to you:

What part of photo editing do you struggle with? Do you have any basic photo editing tips of your own? Share your thoughts in the comments below!

The post Photo Editing for Beginners: A Simple Introduction appeared first on Digital Photography School. It was authored by Lily Sawyer.



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