16 Best Lenses for Portrait Photography (2023)

The post 16 Best Lenses for Portrait Photography (2023) appeared first on Digital Photography School. It was authored by Simon Ringsmuth.

Struggling to pick the perfect portrait lens? We’ve handpicked 16 outstanding options to elevate your photos.

Selecting the best lens for portrait photography can be overwhelming, but it’s also an essential task, whether you’re a beginner, an intermediate enthusiast, or a professional. The right portrait lens will capture crisp, flattering images with a beautiful background blur – while the wrong portrait lens will produce soft photos that are prone to unpleasant distortion.

The good news is that there are plenty of amazing portrait lenses available, and many of them come with relatively affordable price tags. The bad news is that sorting through the wide array of focal lengths, features, compatibilities, sizes, and prices can be a time-consuming headache. Fortunately, I’ve been capturing portraits for years, and I think I can help you out.

Below, I share the 16 best portrait lenses for photographers, including options for a variety of different camera types (DSLR and mirrorless, full-frame and APS-C), and portrait specialties. My list of top-notch portrait glass also offers selections for beginners on a budget, professionals seeking the best of the best, and everything in between.

Ready to grab the lens that’ll take your portraits to the next level? Let’s dive right in, starting with my number one pick:

1. Nikon 50mm f/1.8G

The Nikon 50mm f/1.8G is far and away my top pick for beginners who want to get into portrait photography without spending a lot of money. The lens is tack sharp and focuses quickly, and the 50mm focal length is great for headshots, medium shots, and even wider shots with groups. The large f/1.8 aperture turns busy backgrounds into buttery smooth bokeh, and it works great in low-light situations, too. I have been shooting with this lens for nearly a decade and still bring it with me to portrait sessions because it just works so well.

You can also find similar inexpensive lenses from Sony, Canon, and other manufacturers – several of which are featured on this list! – so if you don’t shoot with Nikon cameras, you can still pick up a 50mm f/1.8 lens for your camera at a great price. That said, I have used versions from other brands and tend to prefer the Nikon, but perhaps that’s just my own personal bias; all of them do a great job with portraits and other photography situations, too.

These 50mm lenses often don’t include advanced features like weather sealing or metal construction, but if you keep your expectations in check and are just looking for an outstanding lens to shoot portraits without breaking the bank, this is the one to get.

Pros

• Inexpensive; great price-to-performance ratio
• Well-built
• Very sharp
• Amazing upgrade choice for new photographers who want better portraits than what their kit lens can offer

Cons

• Shooting wide open results in some unpleasant image artifacts like chromatic aberration and an overall drop in sharpness
• The focusing ring feels a little cheap and stiff

2. Sony FE 85mm f/1.4 GM

In many ways, the Sony 85mm f/1.4 GM lens is a peer to other 85mm f/1.8 options – such as the excellent Canon earlier on this list – but has enough unique features to earn a spot for itself. Everything you might expect is here: exquisite sharpness, beautiful background blur, fast autofocus, and sealing against dust and moisture. However, this lens also includes a few extra features that certain portrait photographers will appreciate.

The built-in focus lock button is great if you want to use the shutter button for focusing while instantly locking focus at a moment’s notice (it essentially eliminates the need for back-button focus). Also, this lens has a ring that lets you change apertures manually right on the lens instead of using a control dial on your camera. The ring clicks on third-stop increments, but the sound can be disabled for those planning to shoot video.

Pros

• 85mm focal length is versatile and highly useful for lots of portrait scenarios
• Good manual controls, including focus lock and aperture
• Excellent image quality

Cons

• More expensive than similar 85mm lenses from Canon and Nikon
• No image stabilization, but most Sony cameras have in-body image stabilization

3. Canon RF 50mm f/1.8 STM

The Canon RF 50mm f/1.8 STM lens is an absolute gem, particularly for beginner and intermediate portrait photographers who are using one of Canon’s fantastic RF-mount mirrorless cameras. This lens offers a plethora of benefits that will take your portrait shots to the next level.

First and foremost, the 50mm focal length of this lens is incredibly versatile. It allows you to capture a wide range of portrait styles, from half-body shots that highlight the subject’s expression and details, to full-body compositions that showcase their entire presence. Additionally, if you’re into environmental portraits where the subject is placed within a specific context or location, the 50mm focal length excels in capturing the perfect balance between the subject and their surroundings.

One standout feature of the Canon RF 50mm f/1.8 STM is its impressive maximum aperture of f/1.8. This wide aperture not only allows you to create stunning background bokeh, with creamy and beautifully blurred backgrounds, but it also proves to be invaluable in low-light situations. When shooting without flash in dimly lit environments, the wide maximum aperture enables you to maintain a fast shutter speed, resulting in sharp and well-exposed portraits even in challenging lighting conditions.

In terms of ergonomics, this lens hits the mark. It’s compact, lightweight, and incredibly portable, making it an ideal choice for photographers on the go. Whether you’re exploring the streets or traveling to distant lands, you can easily slip the Canon RF 50mm f/1.8 STM into your bag or purse and have it readily available whenever the perfect portrait opportunity arises.

And let’s not forget the best part: the price. The Canon RF 50mm f/1.8 STM offers outstanding value for money. It’s one of those lenses that won’t break the bank but delivers exceptional performance and image quality. So, if you’re looking for a lens for portraits that combines affordability, versatility, and remarkable results, the Canon RF 50mm f/1.8 STM is a fantastic choice that won’t disappoint.

Pros

• Very inexpensive
• Solid optics (especially for the price)
• Easily Canon’s best RF-mount portrait lens for beginners
• Versatile focal length

Cons

• Only works on Canon RF-mount cameras

4. Fujinon XF 56mm f/1.2 R

Fujifilm may not be as widely recognized as Canon, Nikon, or Sony, but they certainly know how to create exceptional portrait lenses, and the Fujinon XF 56mm f/1.2 R is a shining example. This lens offers remarkable capabilities that will elevate your portrait photography to new heights.

When you attach the Fujinon XF 56mm f/1.2 R to your Fujifilm APS-C camera, you’ll enjoy the equivalent focal length of approximately 85mm. This focal length is perfect for capturing tighter portraits, such as head-and-shoulder shots, half-body compositions, and captivating headshots that showcase the subject’s unique personality.

One of the standout features of this lens is its impressive sharpness. The images it produces are incredibly detailed, ensuring that you’ll impress your models, clients, and viewers alike. Whether you’re sharing your portraits on social media, displaying them on a website, or printing them in large format, the quality will be nothing short of outstanding.

Although the Fujinon XF 56mm f/1.2 R is not the smallest lens out there, it remains highly portable, making it a reliable companion for your photography endeavors. Even when mounted on a smaller Fujifilm APS-C camera, it doesn’t add excessive bulk, allowing you to carry it comfortably wherever your creative journeys take you.

What truly sets this lens apart is its maximum aperture of f/1.2. With such a wide aperture, you can achieve breathtaking bokeh that instantly adds a professional touch to your portraits. The creamy background blur adds a dreamy quality to the images, drawing attention to the subject and creating a captivating visual impact. While shooting at f/1.2 requires careful focusing, you can still achieve excellent results by stopping down to f/1.4 or f/1.8, expanding your creative possibilities.

The Fujinon XF 56mm f/1.2 R is an incredible lens that delivers exceptional image quality and allows you to explore various creative avenues in portrait photography. While it may not be as widely known as other brands, its performance and features are nothing short of impressive. Whether you’re a dedicated Fujifilm shooter or simply seeking an outstanding portrait photography setup, this gem should definitely be on your radar.

Pros

• Great build quality
• Stunningly sharp
• Amazing f/1.2 maximum aperture
• Gorgeous bokeh

Cons

• The price is a bit high for beginners
• Limited portability

5. Canon EF 85mm f/1.4L IS USM

The Canon EF 85mm f/1.4L IS USM is revered among portrait photographers for its stunning sharpness as well as sheer versatility. It has long been a favorite of Canon shooters and with good reason: the 85mm focal length is great for headshots and medium shots, plus full-body and group photos, too. It’s light, reasonably sized, and built to withstand the elements as well as some drops and falls. I know professional portrait photographers who use this lens exclusively, even over other options at their disposal like a 70-200mm f/2.8.

One key advantage of this particular lens is its built-in image stabilization, which is exceptionally useful when handholding at slower shutter speeds. Even though the f/1.4 aperture can let in a massive amount of light and will therefore let you use fast shutter speeds in low light, I generally don’t shoot portraits wide open because the depth of field is so tricky. You can easily shoot at 1/30s with this lens and capture sharp images (assuming your subjects are completely stationary!). There isn’t really a one-size-fits-all solution when it comes to portrait lenses, but this one is pretty close.

Pros

• Outstanding image quality
• Ultra-wide aperture increases overall versatility and lets you shoot in low-light situations
• Built-in image stabilization lets you use slower shutter speeds
• Good weather sealing

Cons

• Expensive compared to its f/1.8 counterparts, which produce great images at a much lower price point

6. Nikon AF-S 70-200mm f/2.8E FL ED VR

The venerable 70-200mm f/2.8 lens has been a mainstay for many portrait photographers over the years, and this particular lens represents what is, in my opinion, the cream of the crop. There are plenty of other choices, including newer lenses from Nikon, Canon, and Sony that are specifically designed for mirrorless cameras, but this particular 70-200mm f/2.8 represents the pinnacle of lens construction for DSLR cameras. It’s tack sharp at every aperture including wide open at f/2.8, it’s designed to withstand years of daily use, and it has customizable buttons built right into the barrel so you can adapt the lens to your needs.

Portrait photographers love 70-200mm f/2.8 lenses because they give outstanding results without many compromises. You can get headshots, full-body portraits, and entire group photos where everyone is in focus but the background is beautifully blurry. The wide f/2.8 aperture lets in enough light for fast shutter speeds in almost any situation, and most of these lenses (including this particular Nikon) have built-in image stabilization. If you shoot Canon, the EF 70-200mm f/2.8L IS III USM lens is on par with this Nikon in virtually every respect, and while some nitpicky pixel-peepers might prefer one over the other, the truth is that they both deliver outstanding results.

Pros

• Amazing image quality, even wide open at f/2.8
• This lens solves the “focus breathing” issue that plagued previous versions of the same lens
• Suited to portraits, but also great for sports, action, and wildlife

Cons

• Very expensive, which puts it out of reach for casual portrait photographers
• Heavy; by the end of an hour-long session, your arms will feel like wet noodles

7. Sony FE 135mm f/1.8 GM

If you’re serious about your portrait photography and in need of a lens that excels at capturing headshots and tighter compositions, look no further than the Sony FE 135mm f/1.8 GM. This lens is a true powerhouse when it comes to delivering exceptional image quality and versatility.

Let’s talk about the optics first. The Sony FE 135mm f/1.8 is a master of sharpness, capturing every intricate detail with breathtaking clarity. Whether you’re photographing a professional model or a loved one, this lens ensures that your portraits will come out tack-sharp and highly detailed.

One of the standout features of this lens is its telephoto focal length of 135mm. This length provides a beautiful compression effect, which is not only highly flattering for your subjects but also helps in creating stunning bokeh. The background blur produced by the wide f/1.8 maximum aperture is simply mesmerizing, instantly elevating the overall aesthetics of your portraits.

Low-light situations pose no challenge for the Sony FE 135mm f/1.8. With its wide aperture, you can confidently shoot in dimly lit environments without compromising image quality. Whether you’re capturing portraits at a dimly lit venue or during the golden hour, this lens allows you to maintain a fast shutter speed, resulting in sharp images that truly shine.

It’s important to note that this lens is not the most compact option out there, so it may not be the best choice for casual or travel-oriented portrait photography. However, if you’re seeking to take your portraits to the next level and already have a 50mm and an 85mm lens in your kit, the Sony FE 135mm f/1.8 is an excellent addition. Its exceptional image quality, telephoto reach, and ability to handle low light make it a go-to choice for professionals and serious enthusiasts.

While the Sony FE 135mm f/1.8 comes with a higher price tag, its performance and image results make it worth every penny. If you’re looking to invest in a lens that truly showcases your subject in the best possible light, this lens will not disappoint.

Pros

• Gorgeous bokeh
• f/1.8 maximum aperture
• Great focal length for headshots
• Solid build

Cons

• Extremely expensive
• Big and heavy

8. Canon RF 85mm f/1.2L USM

Now, let’s talk about a lens that truly stands out in the world of portrait photography: the Canon RF 85mm f/1.2L USM. This lens has gained a well-deserved reputation among professionals and serious enthusiasts alike.

What sets the Canon RF 85mm f/1.2L USM apart is its exceptional image quality and versatility. The lens boasts insanely sharp optics that capture every detail with stunning clarity. Whether you’re shooting headshots, half-body portraits, or even environmental portraits, this lens delivers outstanding results.

But what truly makes the Canon RF 85mm f/1.2L USM shine is its wide maximum aperture of f/1.2. This is a rare feature that allows you to achieve incredibly smooth and creamy bokeh, separating your subject from the background in a breathtaking way. Whether you’re shooting in a studio or a natural environment, this lens will give your portraits that professional, dreamy look.

Beyond its optical prowess, the Canon RF 85mm f/1.2L USM offers a fantastic focal length for a wide range of portrait styles and approaches. It provides just the right amount of compression to flatter your subjects, making it ideal for capturing emotions and expressions with depth and impact. Whether you’re photographing individuals or couples, this lens excels in creating captivating portraits that tell a story.

Now, it’s important to note that the Canon RF 85mm f/1.2L USM is not without its drawbacks. Firstly, it is on the larger and heavier side, which may make it less ideal for casual or on-the-go shooting. Additionally, the price tag of this lens is in the mid-$2000s, placing it in the higher-end range. However, for professionals and serious enthusiasts who value uncompromising image quality and exceptional performance, the Canon RF 85mm f/1.2L USM is a true gem that will elevate your portrait photography to new heights.

Pros

• f/1.2 maximum aperture
• Classic portrait focal length
• Beautiful image quality

Cons

• Pricey
• RF-mount only

9. Sigma 40mm f/1.4 DG HSM | Art

If you want something a little more interesting and unique, and are looking for a way to make your pictures stand out in a crowded field, this Sigma 40mm lens might be just the ticket. Its 40mm focal length is wider than every other lens on this list, perfect for photographers who prefer to let a little more into their field of view to get a unique look. It’s razor sharp even wide open, and the f/1.4 aperture means you can get full-body shots while keeping the background nice and blurry.

Autofocus is fast, though it’s not quite comparable to other lenses like the Canon 85mm f/1.4, and this lens is a heavy beast that will give your arms a workout. The 40mm focal length results in a bit of distortion when shooting close-ups and headshots, but in normal daily use this wasn’t a huge problem for me. Despite these drawbacks, there’s almost an intangible beauty to this lens that’s difficult to describe, which makes it wonderful for portraits as well as everyday shooting. I especially like how I can get several people in a shot for group portrait scenarios and still create a beautiful blurry background; at the end of the day, those results matter to me more than anything else.

Pros

• Amazing sharpness, even wide open at f/1.4
• Good choice for daily use in mixed environments, not just portraits
• Solid construction and an extra-large rubber grip around the focusing ring

Cons

• Expensive; it shoots great photos, but you pay a premium
• 40mm is good for portraits, but not as widely used as longer focal lengths like 85mm
• Autofocus is fine, but not as fast as some class-leading lenses

10. Nikon Z 85mm f/1.8 S

You might notice a pattern emerging on this list; after all, the Nikon Z 85mm f/1.8 is the third 85mm prime lens on here, which might seem redundant. Why not include other lenses with more varied focal lengths? Well, 85mm is the sweet spot for many portrait photographers, and when Nikon made this lens for their Z-mount mirrorless cameras, they took everything they had learned from their already-exceptional F-mount DSLR lenses and kicked it up a notch. It’s got everything you would expect in a lens of this caliber and in this price range: sharp optics, solid construction, a massive grip for focusing, and good weather sealing – all in a package that isn’t too big and won’t weigh you down during long photo sessions.

While it’s true that the f/1.8 aperture isn’t as wide as the Canon 85mm f/1.4 or Sony 85mm f/1.4, this lens is also much less expensive and gets the job done nearly as well. And f/1.8 lenses can still be used in low light and are capable of very shallow depth of field, even if it’s not quite as shallow as its f/1.4 brethren. (For reference, I almost never shoot my Nikon 85mm lens wider than f/2 or f/2.4, since the depth of field is wafer-thin.) The 85mm f/1.8 doesn’t have built-in image stabilization, but almost every Nikon mirrorless camera comes with that already, so you can get sharp shots at slow shutter speeds even with non-stabilized lenses. If you use Nikon Z-mount cameras and want a great portrait lens without breaking the bank, this is the one to get.

Pros

• Excellent image quality even on high-megapixel cameras like the Nikon Z7 II
• Massive rubberized focus ring is easy to grip and rotate, and can also be assigned to adjust aperture or exposure compensation
• Very good autofocus is well-suited to photos and videos

Cons

• Maximum f/1.8 aperture isn’t as bright as some competing lenses that go to f/1.4 or f/1.2
• Some photographers prefer slightly smaller lenses

11. Canon EF 50mm f/1.2L USM

This Canon 50mm f/1.2 lens was introduced in 2007 and has earned its place among the best portrait lenses for a very good reason: it has the widest aperture of any lens on this list, which means you can use it in extremely challenging situations with very little light. Plus, if you prefer ultra-shallow depth of field, you can’t go wrong here. Its weather-sealing means you don’t have to worry about moisture or dust ruining your shots, and autofocus is fast and reliable. Images are sharp, background blur is beautiful, and the lens is small enough to take anywhere.

I hesitate to recommend this lens outright for portrait photography, because generally a 50mm f/1.8 lens will suit you just fine at a fraction of the cost. However, there are plenty of portrait shooters who swear by the 50mm focal length, and it’s hard to beat this classic, simple lens. Canon does have a similar 50mm f/1.2 lens for their mirrorless cameras, but it is almost twice as expensive as this one. If you are new to portraits, a 50mm f/1.8 lens will work great, but if you want the best of what 50mm photography has to offer, this lens is at (or near) the very top.

Pros

• Very small; can easily fit in any camera bag
• Great for casual everyday shots in addition to formal portraits
• Extra-wide f/1.2 aperture lets you shoot in low-light conditions and use very fast shutter speeds
• Outstanding sharpness and overall image quality, especially compared to less-expensive 50mm lenses

Cons

• Very expensive
• Great for photographers who really like the 50mm focal length, but if you don’t mind a smaller aperture, you can get similar (but not the same) performance with a much cheaper 50mm f/1.8 lens

12. Nikon 105mm f/1.4E ED

In late 2016, Nikon unleashed the 105mm f/1.4E ED, which still stands head and shoulders above almost every other portrait lens on the market. It checks nearly every possible box a portrait photographer might have on their wishlist, and to this day, it is widely regarded as one of the best portrait lenses of all time. Its medium telephoto focal length of 105mm means you can get beautiful close-ups without standing nose-to-nose with your subjects, and its incredible sharpness is the envy of many photographers. The insane f/1.4 aperture on this lens makes 70-200mm f/2.8 lenses weep, its autofocus is fast and reliable, and it even includes weather sealing so you can shoot in inclement weather.

If you like photographing portraits with medium-telephoto focal lengths, you’ll love the 105mm f/1.4. You can get stunning close-ups and beautiful medium shots, all with amazing sharpness and beautiful background blur. This performance doesn’t come cheap, though, and you can’t really use the Nikon 105mm f/1.4 for much besides portraits. It’s too bulky for daily casual shooting, and the 105mm focal length is ill-suited for nature, sports, and most other types of photography. But if you want a no-compromise portrait lens, the kind that lets you get a subject’s pupil in focus with the eyelashes blurry, this is the way to go.

Pros

• Astonishing image quality; an ideal combination of focal length and large aperture
• Can be easily used on newer mirrorless Nikon cameras with no loss in image quality
• Exquisite background blur
• Artifacts such as chromatic aberration are well-controlled even at its widest aperture

Cons

• Very expensive (though you get what you pay for!)
• Large and heavy
• 82mm filter size means screw-on attachments like ND filters are also much more expensive

13. Canon RF 28-70mm f/2L USM

Some portrait photographers prefer a wider field of view, and some like a lens that is a bit more narrow. Why not have one lens that does both? Most zoom lenses have too many tradeoffs to be taken seriously by portrait photographers, but Canon set out to solve that problem with this 28-70mm f/2 zoom lens. Built for Canon RF mirrorless cameras, this lens pushes past most of its peers thanks to the f/2 aperture instead of the f/2.8 aperture that is common for similar zoom lenses (albeit with the tiny sacrifice of 28mm at the wide end instead of 24mm).

I tend to prefer longer focal lengths than what this lens offers, but just like the Sigma 40mm f/1.4, there are plenty of people for whom this lens is ideal. While the 28-70mm focal length essentially does the same work as two or three other lenses, its price is so high you could just purchase individual lenses instead. However, for an all-in-one workhorse, this lens is hard to beat. As you might expect, it is extremely sharp wide open at all focal lengths, has fast and reliable autofocus, and even sports a control ring that can be customized to change settings like aperture and ISO. If you shoot with Canon mirrorless cameras, like wider focal lengths, and want one lens to rule them all, this should be at the top of your list.

Pros

• Incredible versatility thanks to the extra-large f/2 maximum aperture across the entire focal range
• Beautiful image quality at every focal length and aperture
• Fast, reliable autofocus
• Weather-resistant construction

Cons

• Very expensive; given the price of this lens, some photographers might prefer buying a few prime lenses, instead
• Minimum focal length isn’t as wide as the 24mm found on other lenses (however, 24-70mm lenses have smaller maximum apertures of f/2.8 instead of f/2)

14. Tamron 70-210mm f/4 Di VC USD

Portrait purists might balk at the inclusion of this final entry, but that’s a mistake; the Tamron 70-210mm f/4 offers unreal value for the money, and it’s an amazing choice for people who want an excellent portrait lens that also works well for sports and wildlife, and who don’t have a lot of money to spend. Available for several hundred – as opposed to several thousand – dollars, this beauty from Tamron lets you get almost the same level of performance as high-end 70-200mm f/2.8 lenses and even includes image stabilization and weather sealing.

So what’s the catch? For one, the maximum aperture of f/4 will frustrate plenty of professional portrait photographers. It’s great if you have lots of light, but if you want a shallow depth of field or good low-light shots, you’re out of luck. It’s not a major drawback by any means, but it doesn’t quite stack up against some of the more professional-oriented portrait lenses you can buy. This lens also isn’t as sharp as its more expensive counterparts, especially in the corners, and build quality isn’t as solid as other lenses, either. However, what this lens lacks in features it more than makes up for in price. You can easily capture client-worthy portraits with this lens, and if you are a new photographer looking to get a lot while spending a little, this lens deserves your consideration.

Pros

• Inexpensive but still produces quality portraits
• 70-210mm focal range is longer than competing lenses
• Respectable feature set including image stabilization
• High-quality construction

Cons

• Image quality can’t match the pixel-perfect sharpness of other lenses on this list
• The f/4 aperture is limiting in low-light situations
• Autofocus is good but not quite on par with other lenses

15. Sony FE 24-70mm f/2.8 GM II

If you’re an all-around photographer who loves capturing portraits, events, and even street scenes, the Sony FE 24-70mm f/2.8 GM II is a solid choice that offers versatility and convenience. This zoom lens may not be the go-to option for portrait specialists seeking ultra-wide apertures and top-notch optics, but it brings a lot to the table for those who want to cover various shooting scenarios.

With a focal length range of 24-70mm, you have the flexibility to capture a wide range of images. Want to include the subject in their environment? Go wider and capture stunning environmental shots. Need to take full-body or half-body shots at an event? This lens has got you covered. And when it comes to tighter headshots, you can still achieve beautiful results with the 70mm reach.

The optical performance of this lens is impressive, capturing sharp and detailed images that can be printed to make great prints. While the maximum aperture of f/2.8 may not be as wide as the primes on this list, it still allows you to create pleasing bokeh and draw attention to your subject. It’s a balance between versatility and performance.

Keep in mind that zoom lenses with wider apertures tend to be pricier, and the Sony FE 24-70mm f/2.8 GM is no exception. Additionally, it’s not the most compact option, so if you prefer a more casual shooting style, you might find it a bit bulky. However, if you’re a professional Sony shooter looking for a reliable all-in-one solution, this lens is definitely worth considering.

So, if you want a lens that can handle a variety of shooting situations while delivering solid image quality, the Sony FE 24-70mm f/2.8 GM is an excellent choice for portrait photographers who like to explore different genres and capture diverse moments with ease.

Pros

• Excellent focal-length range
• Great optics
• Outstanding build quality

Cons

• Expensive
• f/2.8 maximum aperture is somewhat limiting

16. Nikon Z 50mm f/1.2 S

Nikon Z-series photographers, get ready for a game-changer: the Nikon Z 50mm f/1.2 S lens. This lens marks a significant milestone for Nikon, as it’s been a while since they released a 50mm lens with autofocus technology. But let me tell you, it’s worth the wait!

Now, we all know the benefits of the classic 50mm focal length for portrait photography. It’s versatile, allowing you to capture a variety of shots from half-body portraits to headshots. But what sets this lens apart is its incredible f/1.2 maximum aperture. With such a wide aperture, you can achieve dreamy bokeh that adds a touch of magic to your portraits. Imagine a beautifully blurred background that makes your subject pop, creating that professional and artistic look.

When it comes to the optical quality, Nikon doesn’t disappoint. The image quality is simply stunning, delivering sharpness and clarity that will leave you in awe. Whether you’re capturing portraits for social media, printing large photos, or displaying your work on a website, this lens ensures your images will look their absolute best.

In terms of build quality, the Nikon Z 50mm f/1.2 S doesn’t cut any corners. It’s designed to withstand challenging shooting conditions, making it an excellent choice for outdoor portrait sessions. You can confidently shoot portraits on a beach, in the rain, or any other unpredictable environment without worrying about damaging your equipment.

What I particularly love about this lens is its ease of use. It features a large manual focusing ring that provides precise control, perfect for when you want to fine-tune the focus manually. Additionally, there’s a programmable control ring that allows you to customize its function according to your shooting preferences. It’s these little details that make the shooting experience with this lens so enjoyable and efficient.

Now, it’s worth noting that the Nikon Z 50mm f/1.2 S lens is not lightweight. It has a solid build and feels substantial in your hands. If you prefer a more casual shooting style or prioritize portability, this lens might not be the best choice for you. However, for passionate Nikon Z users who want top-of-the-line performance and are willing to invest in quality, this lens is an enticing option that will take your portrait photography to new heights.

Pros

• Breathtaking bokeh
• Standard portrait focal length
• Amazing low-light capabilities
• Excellent ergonomics

Cons

• Ultra-expensive
• Heavy

Best lenses for portrait photography: final words

Those are my top picks for portrait lenses in 2023, and I hope this gives you several options to consider – whether you’re new to portraiture or you’re a seasoned professional looking to upgrade your gear.

Great glass is just one component of portrait photography, though. There are a host of other elements to consider, including lighting, composition, posing, use of props, and just getting to know your clients. Here at dPS, we have lots of resources for portrait photographers that cost far less than a new lens, so before you drop your next paycheck on more camera gear, consider upgrading your talent with some education and training. You might be surprised by what you can do with the gear you already have!

Now over to you:

Which portrait lens will you purchase? Why? Leave your thoughts in the comments below!

Best portrait photography lenses FAQ

Do I need a prime lens to shoot portraits?

No, but it helps. Prime lenses have wide apertures and sharp optics, which is why they are preferred by portrait photographers. Today’s zoom lenses are better than the zooms of ten or twenty years ago, but you will still get the best results with a prime lens.

What is the best focal length for portraits?

While everyone has their own preferences, 85mm is often considered to be a good portrait focal length. If you can only get one portrait lens, I would recommend going with an 85mm; this works well for headshots, full-body portraits, and group shots, too.

How can I shoot portraits with the kit zoom lens that came with my camera?

While I do not recommend kit zoom lenses for paid client work, it is certainly possible to shoot portraits with them. Zoom in as far as you can go, open your aperture as wide as possible, put a lot of distance between your subject and the background, and you can get some decent shots.

Is a DSLR or mirrorless camera better for portraits?

Either type of camera is fully capable of producing great portraits. Mirrorless cameras have features like eye-detect autofocus that can certainly help, but even today many photographers still prefer DSLRs over mirrorless. It all comes down to personal preference. Thankfully, if you currently shoot with a Nikon or Canon DSLR and want to upgrade to mirrorless someday, both companies make adapters that let you use your current lenses on mirrorless cameras without any drop in quality.

The post 16 Best Lenses for Portrait Photography (2023) appeared first on Digital Photography School. It was authored by Simon Ringsmuth.

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Focus Stacking: The Ultimate Guide (With Step-By-Step Instructions)

The post Focus Stacking: The Ultimate Guide (With Step-By-Step Instructions) appeared first on Digital Photography School. It was authored by Bruce Wunderlich.

Want every inch of your composition to look sharp? Discover how to transform your images using a powerful focus-stacking approach.

Focus stacking is a technique that takes photography to a whole new level; it helps you achieve an astounding depth of field and breathtaking clarity in your shots. Whether you’re a seasoned pro or an enthusiastic beginner, focus stacking is a game-changer that can elevate your images to new heights.

And while it’s a technique that photographers often find intimidating, it’s actually fairly straightforward – as long as you use a tried-and-test approach. That’s where I come in. I have plenty of experience using the photo stacking technique to capture tack-sharp shots of a variety of subjects.

In this article, I draw on my background to explain everything you need to know about focus stacking, including:

• What it is and what the technique offers for photographers
• When you should use focus stacking in your photos (and when you should avoid it)
• The simple, step-by-step process to stack and merge your files
• Advanced tips and tricks to improve your image stacks

So get ready to take your skills to the next level as we embark on a fascinating journey into the world of focus stacking. Here’s my guarantee: By the time you’re done reading, you’ll be able to stack landscape photos, macro photos, and much more.

Let’s dive right in, starting with the basics:

What is focus stacking?

Focus stacking is a technique designed to achieve a deep depth of field by blending (or stacking) several images together. Each stacked shot is focused in a different spot, so the combined depth of field is deeper than the depth of field produced by any of the individual images.

If you want to keep both the foreground elements and the background elements sharp, focus stacking is a viable option!

Feeling confused? Don’t be. While the concepts may sound tricky, the basic process is very simple:

1. You take several images of a scene, making sure to focus on each part (i.e., the foreground, the middleground, and the background).
2. You blend the images to achieve a final file that features a sharp foreground, a sharp middleground, and a sharp background.

Note that focusing stacking doesn’t require fancy equipment, either; you can focus stack with a standard camera (even a smartphone camera, in fact), though I do recommend you work with a tripod and a manual focus lens if you can, as I discuss in a moment.

When should you focus stack your photos?

Focus stacking is designed to overcome the limits of depth of field. In other words, focus stacking is only necessary if you’re faced with a scene that can’t be well handled by your camera setup’s current depth of field capabilities.

Now, if you’re familiar with camera optics, you’ll know that the depth of field is affected by three key factors:

• Lens focal length
• Distance to the subject
• Lens aperture

So as you zoom your lens, move closer to your subject, or widen your lens aperture, the amount of the scene that’s in focus will decrease. On the other hand, as you widen your lens, move away from your subject, or narrow your lens aperture, the amount of the scene that’s in focus will increase.

In most situations, you can handle your depth of field requirements without focus stacking. If you’re faced by a sweeping landscape, you can choose a wide-angle lens and you can narrow your aperture; that way, you can capture the entire scene in focus using a deep depth of field. And if you’re faced by a standard close-up subject such as a flower, you can back up slightly from your subject and narrow your aperture to get your desirable depth of field.

But in a few situations, you won’t be able to achieve a deep enough depth of field to keep the entire shot sharp (from the nearest foreground element to the most distant background element).

Specifically, you’ll run into depth-of-field problems when working with:

1. Very deep landscape scenes
2. Ultra-close macro subjects
3. Deep building interiors

Your depth of field just won’t be deep enough, and only parts of the shot will turn out sharp (while other parts will turn blurry).

Of course, you can always try to back up or use a wider lens, but that isn’t always feasible (especially if you’ve already chosen your composition). And you can narrow your aperture, but at a certain point, you’ll start to run into optical problems caused by diffraction.

In such cases, you have two options:

You can take a single shot with a shallower depth of field and try to make the effect work. (Shallow depth of field shots can look beautiful when done carefully!)

Or you can focus stack.

Essential focus-stacking gear

Focus stacking is a technique that can be done with just a smartphone camera and zero fancy equipment! However, if you’re serious about getting the best results, there are a few basic items that I highly recommend investing in. Here’s what I recommend:

• A tripod. A tripod is your steadfast companion in focus stacking. It keeps your camera steady and ensures consistent composition as you capture a series of images. It’s a game-changer when it comes to achieving sharp, aligned shots.
• An interchangeable-lens camera. To have full control over your camera settings and the flexibility to swap lenses for different compositions, an interchangeable-lens camera is the way to go. Whether it’s a mirrorless camera or a DSLR, any model will do the job just fine. Don’t fret too much about the specific camera model; focus on the features that suit your genres of interest.
• A lens that offers manual focusing. When it comes to focus stacking, having a lens capable of manual focusing is crucial. Manual focus allows you to precisely control the point of focus by rotating a ring on the lens. Fortunately, most lenses offer a switch for toggling between manual and autofocus, but before you get started, it’s essential to ensure you have at least one lens that can be manually focused.
• Focus-stacking software. While some cameras offer built-in automatic focus stacking, I strongly recommend using dedicated stacking software for more control and optimal results. Options like Photoshop provide solid stacking capabilities, but you might also want to consider specialized programs like Helicon Focus or Zerene Stacker for their powerful stacking features.

How to focus stack: step by step

Want to get started stacking your images? Let’s take a look at how you can successfully carry out this technique, from shooting in the field to blending the images on the computer.

Step 1: Pick your subject, choose a composition, and set your exposure

Focus stacking starts by locking down a subject and a composition.

Mount your camera on a tripod and carefully compose your photo. If you don’t have a tripod, you can do handheld focus stacking, but you’ll need to maintain the composition as carefully as possible.

(Quick aside: You’ll struggle to focus stack scenes that feature moving subjects, which is part of the reason why portrait photographers, wildlife photographers, and street photographers rarely use this technique. Pick a scene that will remain steady for the few minutes it takes to set up your shot.)

Next, set your camera to Manual mode, then dial in an exposure. You should use the camera’s exposure meter and histogram to guide you, and note that the exposure will remain fixed across all focus-stacked shots. Once you’ve set your exposure, you should not change it, or else you’ll need to do extra work standardizing the exposures when blending your shots later. (For the same reason, I’d also recommend you select a white balance preset and dial it in. It doesn’t need to be perfect – you can always make changes in post-processing – but if you can keep the white balance consistent, it’ll make your job much easier down the line.)

And by the way: Before you proceed with the rest of the focus-stacking steps, make sure that your scene actually requires focus stacking. If you’re using a wide-angle lens, you can probably shoot most landscape scenes at f/16 or so and get an image that’s sharp throughout. It’s only when you add in close foreground objects – thus increasing scene depth – that focus stacking becomes essential.

Not sure whether focus stacking is necessary? Take a test shot with your lens focused about one-third of the way into the scene, then review it on your camera LCD. Zoom in and check both the foreground and background. If everything turned out sharp, then you’re good to go – but if parts of the shot are blurry, then you’ll need to proceed with the focus stacking technique.

Step 2: Switch your lens to manual focus and take your first shot

Set your lens to manual focus. (There’s usually a little AF/MF switch on the barrel.)

Then manual focus on the nearest part of the scene, such as the sand in the foreground (if you’re shooting a seascape) or the tip of the flower petal (if you’re shooting a close-up).

(If you’re using a camera that doesn’t offer manual focus, then you can autofocus on the nearest part of the scene. Just make sure that you get the autofocus point exactly where you want it.)

Take the first shot, making sure your exposure and composition remain locked in place.

Step 3: Take your remaining images

At this point, you simply need to take a series of images while slowly moving the focus away from the foreground. Adjust the focus, take a shot, adjust again, take another shot, and so on, until you’ve captured a sharp version of every part of the scene.

How many images do you need? That really depends on your scene/subject. Most focus-stacked landscapes require just two or three shots (one for the foreground and one for the background, or one each for the foreground, middleground, and background). The exception is if the foreground is unusually close to your lens or you’re using a telephoto focal length, in which case you may need four, five, or more images.

To get this shot, I took three photos. The first was focused on the fence, the second was focused midway into the scene, and the third was focused on the front of the house.

Macro focus stacking, on the other hand, is more time-consuming. You’ll often need to shoot 8+ images (and sometimes upwards of 20, especially if you’re working at 1:1 magnifications or beyond). The image on the left is a single shot, but the image on the right is a 12-image focus stack:

(If you’re looking to get into serious macro focus stacking, I’d recommend you invest in a focus rail, which will help you adjust your point of focus more precisely.)

Over time, you’ll get a sense of how many shots are required for a focus-stacked scene, but when in doubt, take too many images, not too few. You can always discard similar shots later, but if you fail to capture enough shots, you’ll end up with a bad final result.

Step 4: Blend the images in post-processing

Blending a handful of files might sound difficult, but it’s actually pretty easy; various programs, including Photoshop, automate the process. The instructions below reference Photoshop, but you can get similar (or better) results with a program like Helicon Focus.

First, add your focus-stacking series to your hard drive. Open Photoshop, then select File>Scripts>Load Files into Stack:

A Load Layers window will appear; click Browse, then select your files:

Check the Attempt to Automatically Align Source Images box in the Load Layers window. Then hit OK.

Take a look at the Layers palette. You should see all of your files listed as separate layers. Select every layer, then go to Edit>Auto-Blend Layers.

Make sure to check the Stack Images option, and be sure to check the Seamless Tones and Colors checkbox:

Finally, click OK.

After a few moments of processing, you’ll see your final stacked image appear. You may notice issues along the edges, which you can simply crop away.

Finally, select Layer>Flatten Image, and you’re done! You can now edit the photo like any other file.

One recommendation:

Before you export a stacked image, zoom in to 100% and check over the details. Occasionally, the software will struggle to blend the files, which will result in a few strange artifacts. You can remove these pretty easily with the Healing Brush, but if you don’t check, you may end up exporting an imperfect shot.

Tips and tricks for improving your image stacks

Once you understand the focus-stacking basics, you’ll be able to get solid results by following the step-by-step instructions I shared above. However, if you want to take your stacks above and beyond, here are a handful of additional expert tips:

1. Watch out for moving subjects

Getting beautiful focus-stacked shots can be pretty straightforward, especially when you’re photographing scenes with minimal movement, like still-life images or desert landscapes. But as soon as you add movement into the mix, things get more complicated. Let’s say your scene features a tree waving in the wind. In this case, each file in the stack will capture the tree in a different position, making it very difficult, or even impossible, to blend effectively.

To overcome this challenge, it’s crucial to shoot without movement in the scene. If you’re photographing a flower on a windy day, consider using a plamp to hold it in place or even use your body to block the wind. By ensuring a stationary subject, you’ll be able to capture a series of images with consistent focus points for successful stacking.

Alternatively, if capturing a moving subject is essential to your composition, you can take a different approach. Capture an image stack while ensuring the moving subject is captured with sufficient depth of field in a single image. Then, if needed, you can use manual masking techniques to overlay the sharply focused moving subject onto the scene.

With careful masking, you can also remove any areas where the moving subject created a ghosting effect, resulting in a seamless and striking focus-stacked image.

2. Use a remote release when stacking in low light

Stacking can be done in good light, in which case your shutter speed will generally be fast enough to prevent vibrations caused by pressing the shutter button.

But if you’re shooting indoors or after the sun has set, you may struggle to get a shutter speed above 1/60s or so. If that’s the case, your tripod will prevent more general camera shake, but a remote release offers a handy method of avoiding blur caused by each press of the shutter button. This device allows you to trigger the camera from a distance, ensuring minimal vibrations and maximum sharpness throughout your image stack.

Here’s how it works in practice: After adjusting the focus, you can wait for any vibrations to settle, then trigger the camera using the remote release. Once the image is captured, you can adjust the focus again, wait for stability, and repeat the process until you have obtained the complete series of images for your focus stack.

3. Don’t be afraid to try handheld stacking

While using a tripod is highly recommended for focus stacking, it’s not always feasible or practical in every situation. Thankfully, there’s an alternative technique known as handheld focus stacking that can produce impressive results without the need for cumbersome support.

To perform handheld focus stacking, you’ll need to keep your framing consistent as you capture a series of images. You can lean against a sturdy object or find a comfortable position to stabilize yourself. The key is to minimize camera movement between shots.

While handheld stacking may not yield the same level of precision as using a tripod, the results can still be quite solid. It’s important to note that you may lose some content along the edges of the frame, requiring a crop during post-processing. To mitigate this, it’s advisable to deliberately compose a little wider than your desired final composition, providing room for cropping later on.

Keep in mind that practice and experimentation will help you refine your handheld focus stacking technique. With experience, you’ll be able to capture a series of images with consistent framing and achieve impressive focus-stacked results even without a tripod!

4. Combine focus stacking and HDR photography for outstanding results

Looking to focus stack at sunrise and sunset? If you find yourself faced with a scene that has both a wide dynamic range and requires focus stacking, you don’t have to choose one technique over the other. You can actually combine focus stacking and HDR to achieve a truly outstanding result.

HDR (high dynamic range) techniques are often favored by landscape photographers, allowing them to capture scenes with a high dynamic range, encompassing both very bright and very dark areas like a vibrant sunset. Modern cameras often struggle to capture such scenes without blowing out the highlights or underexposing the shadows.

The HDR technique involves capturing a series of shots of the same composition, each exposed separately for the dark portions, light portions, and mid-toned portions. These images are then blended together in post-processing to create a final result that retains detail throughout the entire dynamic range.

Now, what if you want to focus stack a scene with a high dynamic range? The good news is that you don’t have to choose one technique at the expense of the other. You can combine focus stacking and HDR for exceptional outcomes.

Instead of capturing just one image each time you adjust the lens focus, capture multiple images for each focus point, ensuring that you also expose separately for the different tones in the image. In post-processing, merge each set of bracketed images in the stack, creating an HDR version of each file. Once you have the HDR versions, continue with the standard focus-stacking approach.

By employing this combined technique, you can achieve a final image that not only boasts incredible depth of field through focus stacking but also maintains accurate exposure across the scene’s entire dynamic range. This powerful combination allows you to capture and showcase scenes with stunning detail, even in challenging lighting conditions.

5. Achieve precise macro stacking with a focusing rail

When you’re working at ultra-high magnifications in order to capture an insect, a flower, or some other tiny object in sharp focus, the depth of field will often be so tiny, and each movement of the focus ring so significant, that you struggle to capture your series of images for stacking.

Fortunately, there is a solution: a focusing rail. This handy tool attaches to your tripod and supports your camera, allowing you to make incremental adjustments in the focus position. Instead of manually adjusting the focus ring at ultra-high magnifications, you can set the focus on the front of your subject, take a shot, and then use the focusing rail to make subtle and precise adjustments to the focus point for subsequent shots.

By using a focusing rail, you eliminate the need for delicate manual adjustments, making the process of capturing a series of images for stacking much more manageable. It provides you with the control and precision needed to achieve optimal focus throughout the subject, ensuring each image in the stack contributes to a final result with exceptional detail and clarity.

While a focusing rail is not a mandatory tool for macro stacking, it significantly simplifies the process and improves the quality of your stacked images. So if you plan to do frequent close-up photography with stacking, purchasing a focusing rail can make a huge difference!

Focus stacking in photography: final words

Now that you know what focus stacking is and how it works, you’re ready to achieve great results with nothing more than a camera, a tripod, and a bit of Photoshop wizardry.

So go out there, unleash your creativity, and experiment with focus stacking. Capture the delicate petals of a flower, the rugged textures of a landscape, or the mesmerizing details of a macro subject. Do some stacking, and watch as you produce a stunningly sharp photo!

Now over to you:

What do you plan to focus stack? Have you tried focus stacking before? Share your thoughts (and focus-stacked images!) in the comments below.

The post Focus Stacking: The Ultimate Guide (With Step-By-Step Instructions) appeared first on Digital Photography School. It was authored by Bruce Wunderlich.

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23 Photo Essay Ideas and Examples (to Get Your Creative Juices Flowing!)

The post 23 Photo Essay Ideas and Examples (to Get Your Creative Juices Flowing!) appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

Looking for inspiration? Our 23 photo essay ideas will take your photography skills to new heights!

A single, strong photograph can convey a lot of information about its subject – but sometimes we have topics that require more than one image to do the job. That’s when it’s time to make a photo essay: a collection of pictures that together tell the bigger story around a chosen theme.

In the following sections, we’ll explore various photo essay ideas and examples that cover a wide range of subjects and purposes. From capturing the growth of your children to documenting local festivals, each idea offers an exciting opportunity to tell a story through your lens, whether you’re a hobbyist or a veteran professional.

So grab your camera, unleash your creativity, and let’s delve into the wonderful world of photo essay examples!

What is a photo essay?

Simply put, a photo essay is a series of carefully selected images woven together to tell a story or convey a message. Think of it as a visual narrative that designed to capture attention and spark emotions.

Nikon D800 | 105mm | f/8 | 1/125s | ISO 400
© Kevin Landwer-Johan.

Now, these images can revolve around a broad theme or focus on a specific storyline. For instance, you might create a photo essay celebrating the joy of companionship by capturing 10 heartwarming pictures of people sharing genuine laughter. On the other hand, you could have a photo essay delving into the everyday lives of fishermen in Wales by following a single fisherman’s journey for a day or even a week.

It’s important to note that photo essays don’t necessarily have to stick to absolute truth. While some documentary photographers prefer to keep it authentic, others may employ techniques like manipulation or staging to create a more artistic impact. So there is room for creativity and interpretation.

Why you should create a photo essay

Photo essays have a way of expressing ideas and stories that words sometimes struggle to capture. They offer a visual narrative that can be incredibly powerful and impactful.

Firstly, photo essays are perfect when you have an idea or a point you want to convey, but you find yourself at a loss for words. Sometimes, emotions and concepts are better conveyed through images rather than paragraphs. So if you’re struggling to articulate a message, you can let your photos do the talking for you.

Second, if you’re interested in subjects that are highly visual, like the mesmerizing forms of architecture within a single city, photo essays are the way to go. Trying to describe the intricate details of a building or the play of light and shadows with words alone can be challenging. But through a series of captivating images, you can immerse your audience in the architecture.

And finally, if you’re aiming to evoke emotions or make a powerful statement, photo essays are outstanding. Images have an incredible ability to shock, inspire, and move people in ways that words often struggle to achieve. So if you want to raise awareness about an environmental issue or ignite a sense of empathy, a compelling series of photographs can have a profound impact.

Photo essay examples and ideas

Looking to create a photo essay but don’t know where to start? Here are some handy essay ideas and examples for inspiration!

1. A day in the life

Your first photo essay idea is simple: Track a life over the course of one day. You might make an essay about someone else’s life. Or the life of a location, such as the sidewalk outside your house. 

The subject matter you choose is up to you. But start in the morning and create a series of images showing your subject over the course of a typical day.

(Alternatively, you can document your subject on a special day, like a birthday, a wedding, or some other celebration.)

Nikon D800 | 105mm | f/6.3 | 1/100s | ISO 400
© Kevin Landwer-Johan

2. Capture hands

Portraits focus on a subject’s face – but why not mix it up and make a photo essay that focuses on your subject’s hands?

(You can also focus on a collection of different people’s hands.)

Hands can tell you a lot about a person. And showing them in context is a great way to narrate a story.

Nikon D800 | 35mm | f/5 | 1/80s | ISO 1600
© Kevin Landwer-Johan

3. Follow a sports team for a full season

Sports are all about emotions – both from the passionate players and the dedicated fans. While capturing the intensity of a single game can be exhilarating, imagine the power of telling the complete story of a team throughout an entire season.

For the best results, you’ll need to invest substantial time in sports photography. Choose a team that resonates with you and ensure their games are within a drivable distance. By photographing their highs and lows, celebrations and challenges, you’ll create a compelling photo essay that traces their journey from the first game to the last.

4. A child and their parent

Photographs that catch the interaction between parents and children are special. A parent-child connection is strong and unique, so making powerful images isn’t challenging. You just need to be ready to capture the special moments as they happen. 

You might concentrate on a parent teaching their child. Or the pair playing sports. Or working on a special project.

Use your imagination, and you’ll have a great time with this theme.

5. Tell a local artist’s story 

I’ve always enjoyed photographing artists as they work; studios have a creative vibe, so the energy is already there. Bring your camera into this environment and try to tell the artist’s story!

An artist’s studio offers plenty of opportunities for wonderful photo essays. Think about the most fascinating aspects of the artist’s process. What do they do that makes their art special? Aim to show this in your photos.

Many people appreciate fine art, but they’re often not aware of what happens behind the scenes. So documenting an artist can produce fascinating visual stories.

Nikon D700 | 24mm | f/7.1 | 1/13s | ISO 1250
© Kevin Landwer-Johan

6. Show a tradesperson’s process

Do you have a plumber coming over to fix your kitchen sink? Is a builder making you a new deck?

Take photos while they work! Tell them what you want to do before you start, and don’t forget to share your photos with them.

They’ll probably appreciate seeing what they do from another perspective. They may even want to use your photos on their company website.

Nikon D800 | 105mm | f/4.5 | 1/250s | ISO 1600
© Kevin Landwer-Johan

7. Photograph your kids as they grow

There’s something incredibly special about documenting the growth of our little ones. Kids grow up so quickly – before you know it, they’re moving out. Why not capture the beautiful moments along the way by creating a heartwarming photo essay that showcases their growth?

There are various approaches you can take, but one idea is to capture regular photos of your kids standing in front of a distinct point of reference, such as the refrigerator. Over a year or several years, you can gather these images and place them side by side to witness your childrens’ incredible transformations.

8. Cover a local community event

A school fundraiser, a tree-planting day at a park, or a parade; these are are all community events that make for good photo essay ideas.

Think like a photojournalist. What type of images would your editor want? Make sure to capture some wide-angle compositions, some medium shots, and some close-ups.

(Getting in close to show the details can often tell as much of a story as the wider pictures.)

9. Show fresh market life

Markets are great for photography because there’s always plenty of activity and lots of characters. Think of how you can best illustrate the flow of life at the market. What are the vendors doing that’s most interesting? What are the habits of the shoppers?

Look to capture the essence of the place. Try to portray the people who work and shop there.

Nikon D800 | 50mm | f/11 | 0.4s | ISO 100
© Kevin Landwer-Johan

10. Shoot the same location over time

What location do you visit regularly? Is there a way you can make an interesting photo essay about it?

Consider what you find most attractive and ugly about the place. Look for aspects that change over time. 

Any outdoor location will look different throughout the day. Also think about the changes that occur from season to season. Create an essay that tells the story of the place.

11. Document a local festival

Festivals infuse cities and towns with vibrant energy and unique cultural experiences. Even if your own town doesn’t have notable festivals, chances are a neighboring town does. Explore the magic of these celebrations by documenting a local festival through your lens.

Immerse yourself in the festivities, arriving early and staying late. Capture the colorful displays and the people who make the festival come alive. If the festival spans multiple days, consider focusing on different areas each time you visit to create a diverse and comprehensive photo essay that truly reflects the essence of the event.

12. Photograph a garden through the seasons

It might be your own garden. It could be the neighbor’s. It could even be the garden at your local park.

Think about how the plants change during the course of a year. Capture photos of the most significant visual differences, then present them as a photo essay.

Nikon D800 | 105mm | f/11 | 1/125s | ISO 400
© Kevin Landwer-Johan

13. Show your local town or city

After spending several years in a particular area, you likely possess an intimate knowledge of your local town or city. Why not utilize that familiarity to create a captivating photo essay that showcases the essence of your community?

Delve into what makes your town special, whether it’s the charming streets, unique landmarks, or the people who shape its character. Dedicate time to capturing the diverse aspects that define your locale. If you’re up for a more extensive project, consider photographing the town over the course of an entire year, capturing the changing seasons and the dynamic spirit of your community.

14. Pick a local cause to highlight

Photo essays can go beyond passive documentation; they can become a part of your activism, too!

So find a cause that matters to you. Tell the story of some aspect of community life that needs improvement. Is there an ongoing issue with litter in your area? How about traffic; is there a problematic intersection?

Document these issues, then make sure to show the photos to people responsible for taking action.

15. Making a meal

Photo essay ideas can be about simple, everyday things – like making a meal or a coffee.

How can you creatively illustrate something that seems so mundane? My guess is that, when you put your mind to it, you can come up with many unique perspectives, all of which will make great stories.

Nikon D800 | 55mm | f/5 | 1/125s | ISO 160
© Kevin Landwer-Johan

16. Capture the life of a flower

In our fast-paced lives, it’s easy to overlook the beauty that surrounds us. Flowers, with their mesmerizing colors and rapid life cycles, offer a captivating subject for a photo essay. Try to slow down and appreciate the intricate details of a flower’s existence.

With a macro lens in hand, document a single flower or a patch of flowers from their initial shoots to their inevitable wilting and decomposition. Experiment with different angles and perspectives to bring viewers into the enchanting world of the flower. By freezing these fleeting moments, you’ll create a visual narrative that celebrates the cycle of life and the exquisite beauty found in nature’s delicate creations.

17. Religious traditions

Religion is often rich with visual expression in one form or another. So capture it!

Of course, you may need to narrow down your ideas and choose a specific aspect of worship to photograph. Aim to show what people do when they visit a holy place, or how they pray on their own. Illustrate what makes their faith real and what’s special about it.

Nikon D800 | 35mm | f/4 | 1/200s | ISO 800
© Kevin Landwer-Johan

18. Historic sites

Historic sites are often iconic, and plenty of photographers take a snapshot or two.

But with a photo essay, you can illustrate the site’s history in greater depth.

Look for details of the location that many visitors miss. And use these to build an interesting story.

19. Show the construction of a building

Ever been away from a familiar place for a while only to return and find that things have changed? It happens all the time, especially in areas undergoing constant development. So why not grab your camera and document this transformation?

Here’s the idea: Find a building that’s currently under construction in your area. It could be a towering skyscraper, a modern office complex, or even a small-scale residential project. Whatever catches your eye! Then let the magic of photography unfold.

Make it a habit to take a photo every day or two. Watch as the building gradually takes shape and evolves. Capture the construction workers in action, the cranes reaching for the sky, and the scaffolding supporting the structure.

Once the building is complete, you’ll have a treasure trove of images that chronicle its construction from start to finish!

20. Document the changing skyline of the city

This photo essay example is like the previous one, except it works on a much larger scale. Instead of photographing a single building as it’s built, find a nice vantage point outside your nearest city, then photograph the changing skyline.

To create a remarkable photo essay showcasing the changing skyline, you’ll need to scout out the perfect vantage point. Seek high ground that offers a commanding view of the city, allowing you to frame the skyline against the horizon. Look for spots that give you an unobstructed perspective, whether a rooftop terrace, a hillside park, or even a nearby bridge.

As you set out on your photography expedition, be patient and observant. Cities don’t transform overnight; they change gradually over time. Embrace the passage of days, weeks, and months as you witness the slow evolution unfold.

Pro tip: To capture the essence of this transformation, experiment with various photographic techniques. Play with different angles, framing, and compositions to convey the grandeur and dynamism of the changing skyline. Plus, try shooting during the golden hours of sunrise and sunset, when the soft light bathes the city in a warm glow and accentuates the architectural details.

21. Photograph your pet

If you’re a pet owner, you already have the perfect subject for a photo essay!

All pets, with the possible exception of pet rocks, will provide you with a collection of interesting moments to photograph.

So collect these moments with your camera – then display them as a photo essay showing the nature and character of your pet.

Nikon D800 | 105mm | f/5.6 | 1/400s | ISO 400
© Kevin Landwer-Johan

22. Tell the story of a local nature preserve

Ah, the wonders of a local nature preserve! While it may not boast the grandeur of Yosemite National Park, these hidden gems hold their own beauty, just waiting to be discovered and captured through the lens of your camera.

To embark on this type of photo essay adventure, start by exploring all the nooks and crannies of your chosen nature preserve. Wander along its winding trails, keeping an eye out for unique and captivating subjects that convey the essence of the preserve.

As you go along, try to photograph the intricate details of delicate wildflowers, the interplay of light filtering through a dense forest canopy, and the lively activities of birds and other wildlife.

23. Show the same subject from multiple perspectives

It’s possible to create an entire photo essay in a single afternoon – or even in a handful of minutes. If you don’t love the idea of dedicating yourself to days of photographing for a single essay, this is a great option.

Simply find a subject you like, then endeavor to capture 10 unique images that include it. I’d recommend photographing from different angles: up above, down low, from the right and left. You can also try getting experimental with creative techniques, such as intentional camera movement and freelensing. If all goes well, you’ll have a very cool set of images featuring one of your favorite subjects!

By showcasing the same subject from multiple perspectives, you invite viewers on a visual journey. They get to see different facets, textures, and details that they might have overlooked in a single photograph. It adds depth and richness to your photo essay, making it both immersive and dynamic.

Photo essay ideas: final words

Remember: Photo essays are all about communicating a concept or a story through images rather than words. So embrace the process and use images to express yourself!

Whether you choose to follow a sports team through a thrilling season, document the growth of your little ones, or explore the hidden treasures of your local town, each photo essay has its own magic waiting to be unlocked. It’s a chance to explore your creativity and create images in your own style.

So look at the world around you. Grab your gear and venture out into the wild. Embrace the beauty of nature, the energy of a bustling city, or the quiet moments that make life special. Consider what you see every day. What aspects interest you the most? Photograph those things.

You’re bound to end up with some amazing photo essays!

Now over to you:

Do you have any photo essay examples you’re proud of? Do you have any more photo essay ideas? Share your thoughts and images in the comments below!

The post 23 Photo Essay Ideas and Examples (to Get Your Creative Juices Flowing!) appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

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