Sunday, 26 November 2023

12 Tips for Photographing Dragonflies

The post 12 Tips for Photographing Dragonflies appeared first on Digital Photography School. It was authored by Richard Beech.

How to take amazing photos of dragonflies

This article was updated in November 2023 with contributions from Richard Beech and Steve Berardi.

Dragonflies and damselflies are fascinating insects that can be particularly photogenic due to their bright colors and striking patterns. They’re a favorite of insect macro photographers, and when photographed well, the results can be breathtaking.

However, there are several major difficulties when it comes to dragonfly photography: your subjects get scared easily, and it often seems like they just never land so you can photograph them!

Fortunately, capturing great shots of damselflies and dragonflies might be easier than you think! With the right techniques and a bit of research, you can create dragonfly shots like a pro. Here are some of my favorite tips and tricks to get you started:

1. Choose the right equipment

Dragonfly and damselfly photography

Dragonflies are larger than most other insects, which means that you don’t need a specialist lens to get decent shots; in my experience, dragonflies can be photographed with anything from a point-and-shoot camera to a top-notch mirrorless body. And many of the principles remain the same whatever equipment you use.

That said, while a good zoom lens (in the range of 100-400mm) can produce decent results, a dedicated macro lens has the advantage of providing closer focus for high magnification.

Note: If you are using a zoom lens and you’re not able to focus as close as you like, adding an extension tube will allow it to focus closer and should produce good results. This is a cheaper option than buying a dedicated macro lens.

However, if you plan on photographing dragonflies on a regular basis, a longer (150mm, 180mm, or 200mm) macro lens may be a worthwhile investment; that way, you’ll be able to take frame-filling shots from a comfortable working distance so as not to scare away the dragonflies.

If it helps, I used a Sigma 150mm f/2.8 macro lens to capture many of the shots in this article!

2. Find a good location

During the summer months, dragonflies can be found anywhere there is water. Certain species come to small ponds, while others are found near rivers or streams.

Damselflies are often weaker fliers and tend to stay close to the water’s surface, whereas dragonflies can be seen flying farther away from the water and sometimes perching at eye level.

Dragonfly and damselfly photography
Image by Steve Berardi

I encourage you to spend some time researching your native species of dragonflies and their preferred habitats before you go out. That way, when you’re in the field with your camera, you can at least find a few potential subjects on a regular basis!

Also, be prepared to get a bit muddy – you may need to get low to the ground near the water’s edge for good shots. Wear appropriate clothing, and respect the environment that you are working in.

3. Think about the weather

Dragonfly and damselfly photography

Dragonflies need the heat of the sun to warm their bodies and fly, so they’ll usually be most active on clear, sunny days.

But that doesn’t mean you shouldn’t look for them on cloudy days, too. They’ll be a lot harder to find since they’ll generally be perching among vegetation, but they’re also a lot easier to approach since it’ll be harder for them to fly away without the heat of the sun.

Plus, you’ll get soft, diffused light with cloudy skies, which tends to look lovely and bring out plenty of details and colors on your subject!

Bottom line: Different weather conditions have advantages and disadvantages, so experiment and see what works best for your shooting style.

4. Observe your subject in the field

Once you’ve spotted a dragonfly, take some time to watch its behavior. You’ll quickly learn where it flies and where it likes to perch; some dragonflies prefer to settle on the ground, while others like to perch on grass or rocks.

Dragonfly and damselfly photography

Photographing dragonflies in flight can be pretty tricky, so when you’re just starting out, I’d recommend trying to get some shots of dragonflies at rest.

Rather than chasing a dragonfly around with your camera, I’ve found that it’s better to watch out for a spot where they land, set up your camera nearby, and then just wait. Dragonflies tend to come back to the same spot all day, so as long as you’re patient, you’ll have a good chance of snagging a great image.

If you see a dragonfly perched on a stick, you can try to approach slowly and carefully and avoid sudden movements. You may be able to get quite close. However, if the dragonfly does fly off, remain still and wait for a few minutes. It may well return to land on the same spot. Patience is key.

If you are lucky enough to find a dragonfly that is eating, you may be able to get closer; in my experience, they seem to focus more on their meal than on photographers!

Something that I have tried with some success is to take my own perch – a stick or a reed – and place it near the water, close enough to take some shots should the dragonflies decide to land on it.

5. Get up early

Dragonfly and damselfly photography

Dragonflies are more active during the hottest part of the day as they require the heat from the sun to warm them enough to fly. And when you’re a dragonfly photography beginner, more activity makes it a lot harder to capture sharp, frame-filling shots.

So if possible, I would recommend going out earlier in the morning, when it is slightly cooler and the sunlight is not as harsh. You may not find as many dragonflies, but those you do spot will likely stay still for longer, allowing for a closer approach.

If you head out first thing, you may even be lucky enough to get a shot of them covered in early morning dew!

6. Control the aperture for sharp images

Sharpness is vital in dragonfly and damselfly photography, and to ensure you get sharp images, you will have to carefully control the depth of field. You will need to have as much of the dragonfly in focus as possible; one way that you can maximize this is to photograph the dragonfly lengthwise.

You see, making sure that the camera’s sensor is parallel to the body of the dragonfly will enable you to use a wider aperture, to blur out any distracting background while keeping the whole of the dragonfly in focus.

Getting such a clear, side-on shot of a dragonfly will not always be possible. In such instances, you can increase the depth of field by narrowing the aperture. I have found it useful to start off with an aperture of f/5.6, then take a series of shots working down to around f/11 or smaller, changing the shutter speeds and ISO accordingly.

Regardless, always ensure that the eyes are in focus and as sharp as possible!

7. Capture lots of photos (from many angles)

One of the most rewarding parts of photographing dragonflies (or anything in nature) is that it gives you an opportunity to look more closely at your subject. There are many dragonfly and damselfly species out there, and they all are worthy of detailed examination.

However, sometimes the only thing that separates one species from another is a few dots on its wings. So it’s good to shoot photos from lots of different angles to help you identify your subject later on!

Dragonfly and damselfly photography
Image by Steve Berardi

8. Pay attention to your settings

Getting the correct exposure can be tricky, particularly if you are shooting in bright sunlight. (You will get softer, diffused light by shooting earlier in the day or in slightly cloudier conditions, and this makes exposing correctly a lot easier.) It can be helpful to work in Aperture Priority mode, then make slight adjustments to your exposure by adding exposure compensation as needed.

Dragonfly and damselfly photography

Even when perched, dragonflies can make a lot of fast movements such as flicking their wings or twitching their heads. Therefore, you will need to work with relatively fast shutter speeds. I would recommend shooting in bursts of three or four frames – when you are reviewing your shots, you may find one is particularly sharper than the others.

You could increase the ISO setting slightly to allow for a faster shutter speed and a narrower aperture, but I wouldn’t recommend going beyond ISO 800 or 1600 to maximize the quality of your images. (That said, some cameras offer astonishingly good high-ISO capabilities, so it’s always a good idea to evaluate your camera model’s capabilities in advance and work accordingly!)

A tripod may come in handy if you’re forced to use slightly slower shutter speeds; however, the locations where dragonflies are found are not always very tripod-friendly. If you decide to shoot while hand-holding the camera, make sure you keep a steady hand, maintain a good footing, and ensure your camera or lens’s image stabilization is switched on (if available).

9. Switch off autofocus

It may surprise you to hear that you will often get sharper shots of dragonflies by switching off the autofocus and focusing manually.

You see, autofocus often struggles when working at high magnifications – so unless you’re capturing a dragonfly that’s small in the frame, it’s often worth using your lens’s MF setting.

At first, this may feel rather difficult. After all, you’ll be focusing using the ring on your lens, which can be quite finicky! But with practice, you’ll find that manual focus is not just possible, but very, very effective.

Dragonfly and damselfly photography

10. Pay attention to the background

Dragonfly and damselfly photography

When lining up your shot, pay careful attention to the background. In my experience, an uncluttered backdrop made of a contrasting color or tone to the dragonfly will produce shots full of impact.

However, some damselflies will land in vegetation closer to the water’s surface, making a clean background almost impossible. Larger apertures will help blur out any distracting elements; this works well if you can capture the damselfly lengthwise, as previously mentioned. A wider aperture will also help to produce bokeh in the background (circles of light from out-of-focus highlights), which can be gorgeous (though it does depend on your personal tastes!).

If possible, when selecting a spot to set up, try to place the subject as far away from any potentially distracting vegetation in the background. Moving a perch, or taking your own with you, may help with this!

11. Think about composition

Dragonfly and damselfly photography

Dragonflies offer a range of options when it comes to composition. It is not always necessary for the whole dragonfly to be included in the frame. If you can get close enough, you could attempt an extreme close-up of the eyes or part of the wings.

Alternatively, you could capture the dragonfly within its surroundings. For example, iridescent demoiselles can look great when perched low down on a riverbank. This works particularly well with slightly larger dragonflies, and as the insect does not have to dominate the image, a dedicated macro lens may not be required.

12. Try to capture some behavior

Dragonfly and damselfly photography

Dragonflies look great at rest, but if you can, try to capture some of their behavior for unique shots.

For example, damselflies mating can make shapes that look a bit like a heart, which can make for a pleasing image. Or – if you are up for a challenge – you can try to shoot a dragonfly in flight.

For this, I’d recommend using a telephoto lens in the 300-400mm range with an extension tube. Spend a few minutes watching how the dragonfly moves (they often follow the same path repeatedly!). Once you’ve observed them flying, focus on a spot in the flight path and wait for the dragonfly to enter the frame.

There is an element of luck with this type of shot. I have tried on many different occasions and sometimes the dragonfly will vary its flight patterns seemingly at random. Don’t give up, though; remember that patience is key with all wildlife photography! Just enjoy the process of observing and photographing these amazing insects.

Dragonfly photography: final words

Well, there you have it:

Plenty of tips and tricks to help you capture amazing photos of dragonflies.

Just remember that a touch of perseverance can go a long way – and if you stick with it and you follow the tips I shared above, you’re bound to create some stunning photos.

Now over to you:

Which of these tips do you plan to use first? Are there any techniques that I missed? Share your thoughts (and dragonfly images!) in the comments below!

The post 12 Tips for Photographing Dragonflies appeared first on Digital Photography School. It was authored by Richard Beech.



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Saturday, 25 November 2023

How to Create Environmental Portraits (Tips and Examples)

The post How to Create Environmental Portraits (Tips and Examples) appeared first on Digital Photography School. It was authored by Darren Rowse.

How to create environmental portraits

This article was updated in November 2023 with contributions from Darren Rowse, Kevin Landwer-Johan, Kav Dadfar, Rick Berk, Post Production Pye, and Jaymes Dempsey.

Unlike standard portraits – which focus solely on the subject – environmental portraits show the individual with their surroundings. These images are often uniquely captivating in how they offer a window into the subject’s world, but let’s be clear: achieving a compelling environmental portrait is no walk in the park.

You’ll need to juggle various elements like setting, lighting, and composition. It’s an intricate balancing act that, when done right, results in powerful photographs that tell a story.

And that’s what this ultimate guide is all about. I’ll explain all of the basics of environmental portrait photography, then I’ll offer essential tips and techniques to help you start capturing meaningful environmental portraits.

Let’s dive right in.

What is an environmental portrait?

Simply put, an environmental portrait is a portrait that includes more than just the subject. The idea is to capture an individual within a broader context, offering a glimpse into their life, personality, or occupation.

Environmental portrait photography

Environmental portrait photography does not involve capturing your everyday headshot or head-and-shoulders image. Instead, the photographer generally uses a wider lens to show the subject as well as nearby elements.

Note that environmental portraiture isn’t always posed, but it always involves an awareness from your subject. In other words, your subject knows they’re being photographed. While unplanned candid photography has its own charm, environmental portraits usually involve a level of interaction between the photographer and the subject. If your subject isn’t aware they’re being photographed, you’re likely venturing into the realms of street photography.

The setting for your environmental portrait can be diverse – and your choice of background, whether a bustling marketplace or a tranquil beach, can significantly influence the image’s mood and meaning. Some photographers like to capture subjects in their natural habitat: a chef in a kitchen, a musician in a studio, or a hiker on a mountain trail. The key is that the setting should add to the story you’re trying to tell, not distract from it.

Why are environmental portraits so powerful?

Environmental portrait photography

Ever wonder why some portraits just speak to you? Many of the best portraits do more than showcase an individual – they tell a story or at least offer insight into who that subject is. And environmental portraits excel at storytelling. Because they include a subject’s surroundings, these portraits add extra layers of information about that subject. Instead of just a face, you have a person in a place, doing something or being part of a bigger scene.

This additional context helps the viewer to better understand the subject. A musician photographed in a rehearsal space, surrounded by instruments, can tell you more about their dedication and passion. Similarly, a teacher captured in a classroom, even without students, gives a sense of vocation.

Environmental portrait photography

The power of environmental portraits also lies in their authenticity. Because you’re incorporating real-world elements, the photos feel grounded. You’re not just capturing a face; you’re capturing a relationship between that face and its surroundings.

Tips for beautiful environmental portrait photography

Capturing gorgeous environmental portraits can seem tough, but there are actually a few simple ways to improve your results, starting with:

1. Spend time getting to know your subject

Environmental portrait photography

Before you select a location and start shooting, spend some time getting to know your subject.

Find out where they spend their time, what the rhythm of their life is like, and how they behave.

This will not only help you find appropriate locations but will also help you get a feel for the style of shots that might be appropriate for the session.

Plus, you’ll begin the process of helping your subject relax! If you can, you might even want to accompany your subject to some possible locations; that way, you can see both whether the location suits them, as well as how they behave and interact there.

2. Get your subject talking

Now that you know a little about your subject, what they like to do, and where they like to do it, it’s time to point a camera at them.

This can be the “make-or-break” point of the shoot. If your subject is uncomfortable in front of the camera, it’ll come across in the images – unless you find a way to get them to relax.

Fortunately, one of the easiest ways to get them to relax is to just start a conversation. Make them forget that you are taking their photo by asking them about themselves. Have them talk about the location, their hobbies, their families, their job – anything to get their mind off of the camera in front of them.

For the portrait below, my subject was a New Yorker and lived nearby. This was an impromptu session after a private tutoring session, and she was reluctant to let me point the camera at her. She wanted to learn photography herself, so I wrapped a lesson into the banter and pretty soon she was just talking photography and forgetting I was snapping images!

My subject lives in the shadow of this bridge, and is most definitely a New Yorker. This was an impromptu session after a private tutoring session and she was reluctant to let me point the camera at her. She wanted to learn photography herself, so I wrapped a lesson into the banter and pretty soon she was just talking photography and forgetting I was snapping images. EOS 5D Mark II with EF 70-200 f/2.8L IS II. 1/200 @ f/4; ISO 100.
Image by Rick Berk

3. Choose the right location

Environmental portrait photography

Sometimes a location chooses you – but on other occasions, you need to be quite deliberate and purposeful when making your choice. It can take a lot of searching.

You ideally want to find a location that:

  • says something about your subject. After all, that’s what this style of photography is all about.
  • adds interest to the shot. As I’ve written in previous tutorials, every element in an image can add or detract from the overall look. The environment in which you place your subject needs to provide context and interest without overwhelming the composition.
  • doesn’t dominate the shot. Sometimes the location can dominate the image so much that it distracts your viewer from your main focal point (i.e., the subject). So try to avoid cluttered backgrounds (and foregrounds) and colors that are too bright, etc. Keep in mind that you might be able to remove the distractions with clever cropping, depth of field, and subject placement.

4. Try to tell your subject’s story

Once you’ve chatted for a while, or at least observed keenly, tell their story.

Concentrate on what will communicate most visually about the person, where they are and what they’re doing. This is the whole nature of environmental portraits.

Are they a quiet and reserved kind of person? Or are they a loud and boisterous character? Some people change when they get in front of a camera.

If they’ve been chatting away in an animated manner and freeze when you point your camera at them, it’s your job to help them relax. Frozen is not who they naturally are.

9 Tips for Better Environmental Portraits Tricycle Taxi Rider
Tricycle taxis in Thailand are called Samlor, which translates as ‘three wheels. The riders enjoy the camaraderie the job brings. (Image by Kevin Landwer-Johan)

5. Use props, but keep them natural

man with computer environmental portrait

The use of props in environmental portraits is a double-edged sword. While they can add value, they can also easily distract. The trick lies in selecting props that enhance rather than detract from the image. Imagine you’re photographing a writer; a pen and notebook on the table can add a layer of context and meaning.

Clothing, too, serves as a kind of prop. What your subject wears should be harmonious with the environment. If you’re shooting a fisherman, it makes sense for them to be in overalls and rubber boots. A business executive? A suit or formal attire fits the bill. The idea is to avoid anything that feels out of place or forced.

Props should be natural extensions of the environment or the subject’s personality. A chef photographed in a kitchen might have a wooden spoon in hand, but a medieval sword? Not so much. The same principle applies to less tangible props like lighting or even pets. If you’re capturing a family at home, a pet cat wandering into the frame can be a lovely addition.

Be discerning. Every element you introduce should serve the image’s overarching narrative. The rule of thumb is: if the prop doesn’t add to the subject’s story or seems incongruous in the setting, it’s probably best left out!

6. Watch for distractions

Environmental portrait photography

As you broaden your frame to include more of the environment, be cautious. Including too much can introduce distracting elements that steal attention away from your subject. The last thing you want is for a stray telephone pole, an oddly placed trash can, or a flashy billboard to become the unintended focal point of your image.

Being mindful of your surroundings is crucial. Scan the setting for anything that might clash with the overall mood or tone you’re aiming for. Sometimes, even a vibrant patch of color or a bright light source in the background can disrupt the composition.

A simple fix often involves minor adjustments. Asking your subject to move a couple of feet to the right or left can make a world of difference. Likewise, you can change your own position or angle to exclude distractions from your frame. These small tweaks can refocus the viewer’s attention where it belongs: on your subject.

7. Work with the light

Environmental portrait photography

Lighting can make or break any photograph, and environmental portraits are no exception. The source and quality of light can greatly influence the mood, texture, and overall impact of your image. Whether you’re dealing with the harsh midday sun or the soft, diffused light of a cloudy afternoon, the goal is to use it to your advantage.

Hard, contrasty light can create heavy shadows, adding a layer of drama to your subject and their environment. While this may work for some scenes, it’s not always a desirable effect. On the other hand, on cloudy days, the overcast sky acts like a natural softbox, providing flattering light that evenly illuminates your subject.

Golden hour, the period shortly after sunrise or before sunset, offers yet another lighting opportunity. The warm, directional light during these times can add a three-dimensional feel to your images. It brings out textures and casts long, soft shadows – so I highly recommend you use it whenever you get the opportunity.

8. Consider modifying the light

I try to go as minimal as possible with gear for environmental portraits and use natural light. However, there are always times when the light is less than optimal (for instance, extremely harsh) – in such cases, you need to modify it in some way.

This can be as simple as adding a reflector in a strategic location or setting up a flash with a softbox or umbrella. It will all depend on the available light and the look you are going for. One thing I always try to do is keep the light looking as natural as possible.

This next shot was a business portrait, but my client wanted more than a simple headshot. It was taken late in the day, meaning I had to create my own light. She wanted her team in the background working (because she wanted to show that, when you worked with her, she had a whole team backing her up). I used a speedlight to illuminate the background by bouncing it off a white wall and the ceiling. I then used a second speedlight modified by a 28-inch softbox to light my client. I adjusted the intensity of the lighting so that the background light was at a 2:1 ratio with my main light.

This was a business portrait, but my client wanted more than a simple headshot. It was taken late in the day meaning I had to create my own light. She wanted her team in the background working, to show when you worked with her, she had a whole team backing her up. I used a Canon 430 EX II to light the background, aiming it off a white wall and the ceiling, out of the frame. I then used a Canon 580 EX II off camera in a Westcott Apollo 28" soft box to light my client. I ratio'd the lighting so that the background light was at a 2:1 ratio with my main light. EOS 5D Mark II with EF 24-105 f/4L IS. 1/100 @ f/4, ISO 400.
Image by Rick Berk

9. Think about posing your subject

environmental portrait of woman painting

Not every environmental portrait needs to be carefully posed. However, some polished poses can make a big difference to the final results.

So don’t be afraid to direct your subject to sit, stand, or act in a way that fits the environment. Some of the poses might seem slightly unnatural and dramatic, but it’s often these purposely posed shots that are more interesting and give a sense of style to your photography.

The expression on the face of your subject is also very important in environmental photography, and you should consider how it fits with the overall scene.

For example, if you’re shooting in a formal environment, it may not be appropriate to photograph your subject with a big, cheesy smile; you might prefer a more somber or serious look.

Ultimately, just mix it up to see what does and doesn’t work!

10. Consider capturing a series of images

Environmental portrait photography

If a single environmental portrait can tell a story, imagine what a series of them could do. This approach allows you to dig deeper into your subject’s life, painting a fuller picture of who they are and what matters to them. Capturing a series can ensure a nuanced representation of your subject that one photograph alone might not capture.

For example, you could follow your subject throughout the day. Document them at work, catch them during a quiet moment at home, or even capture them in the midst of a hobby or social event. This approach can produce a captivating series that speaks volumes about your subject’s life and passions.

Another idea is to photograph your subject in different settings over an extended period. This not only shows the subject in various contexts but also allows for the possibility of capturing change and growth. It can be a compelling way to explore themes like aging, career development, or even the impact of significant life events.

11. Deliberately choose your camera settings (especially your aperture!)

Environmental portrait photography

There is no right or wrong way to set up your camera for an environmental portrait. It will depend completely upon the effect you’re after and the shooting scenario.

You might find that shooting at a smaller aperture (i.e., a larger f-number) will be appropriate as it’ll help keep the foreground and background in focus.

I generally shoot environmental portraits with a wider focal length to give the environment prominence in the shot. (For more on choosing a lens for environmental photography, see below!)

Of course, that doesn’t mean you can’t shoot with a longer lens or with a large aperture and shallow depth of field. In the end, anything goes!

12. When photographing indoors, raise your ISO

As a rule, you should aim to keep your ISO as low as possible whenever you are photographing.

However, in low light conditions such as markets, and inside buildings, you might have to raise it to guarantee you can capture your photo at a fast enough shutter speed for sharp shots.

My advice: You should test your camera at different ISO settings to get an idea of the acceptable noise it will produce so that when you are on location you don’t go above that!

Market_London_KavDadfar
Markets that are covered will usually mean that you have to raise your ISO to be able to have a fast enough shutter speed. (Image by Kav Dadfar)

13. Know your camera

Your subject is likely to lose interest in what’s happening if all they see is the top of your head as you peer down at your camera.

Preset your camera so you know the settings will be right. Do this as soon as possible so you will have time to concentrate on communicating with your subject and other important things.

9 Tips for Better Environmental Portraits Hmong Amputee
Hmong hill tribe man who is an amputee after having his leg blown off by a land mine on the Laos/Thailand border (Image by Kevin Landwer-Johan)

14. Use Live View

This plays right along with the item above.  Most people tense up when you raise the camera to your eye, waiting for the image to be taken. Some may even inadvertently shut their eyes, expecting a flash. If you can use Live View on your camera, you can get it away from your face. Your subject will be looking at you, and not at the camera, and will not necessarily anticipate you pressing the shutter button. This works especially well with cameras that feature articulating screens. It can be helpful to mount the camera on tripod as well, using a remote release to trigger the camera.

This is an image of my friend Chris (below), taken while he was supposed to be shooting me and my kids. We were discussing what shots we wanted next when I clicked this, using Live View to frame the shot and focus.

Environmental portrait photography
Image by Rick Berk

15. Choose your lens carefully

Showing the surroundings is important. So is communicating with your subject while you are working.

If you have a telephoto lens on your camera, you’ll have to position yourself a long way from your subject to include enough of their environment.

With a medium to wide lens on you can be close enough and also include more of the setting. I love using my 35 mm f/1.4 lens on a full-frame body for environmental portraits. It allows me to be close enough to converse comfortably and still show a decent amount of background.

Be careful if you are using a lens much wider than 35mm as you will be at risk of distorting your subject.

Shan Waitress 9 Tips for Better Environmental Portraits
Shan waitress poses for a portrait at the entrance to the small roadside restaurant she works in near Mandalay, Myanmar. (Image by Kevin Landwer-Johan)

16. Time your shots

environmental portrait man with painting

In environmental portraiture, timing is everything. You want to catch your subject in a state that’s true to them – and if they’re interacting with their surroundings, that’s even better. This harmony can convey a profound message about the person and the place they’re in.

Always be prepared. Keep your finger ready on the shutter button. And consider that a valuable image doesn’t just involve the subject’s facial expressions or body language. It could be a fleeting moment where they interact with their environment in a way that perfectly encapsulates their relationship with it. For example, a musician lost in the rhythm of a song, a cook immersed in the sensory delight of spices, or a child’s pure joy while playing in a park.

17. Capture multiple people interacting

Environmental portrait photography

Environmental portraits aren’t limited to solo subjects. Including multiple people can add another layer of depth and emotion to your photograph. But here’s the key: when more individuals are in the frame, it’s crucial to keep an eye on their interactions.

A well-timed shot of two or more people interacting can tell a compelling story. It could be a couple sharing a tender moment, coworkers immersed in a project, or even a family enjoying a simple meal. Try to capture genuine interactions that feel organic rather than staged.

With more subjects, you’ll also have to be extra cautious with composition. Their positioning should complement the shot as a whole, and if you can arrange them in a way that directs the viewer’s eye through the photo, it’ll enhance visual flow. Each person should ideally contribute to the overall narrative you’re trying to convey, ensuring a cohesive and impactful photo.

Bottom line: Including multiple people in a single portrait shot be challenging to pull off but incredibly rewarding when done right!

18. Write good captions

A good caption will provide added detail that you may not be able to clearly convey in your photo. Informative captions help hold people’s interest by further stimulating their imaginations.

Offer a little more information about the person. This is another good reason to engage with them while you’re photographing them.

If you’re not clear on what to write, search the internet.

Recently I watched this documentary about the photographer Dorothea Lange. She is most well known for her work in the midwest USA during the Great Depression. The documentary emphasizes the need for the well-written captions she provided with her photographs.

9 Tips for Better Environmental Portraits Sea Gypsy
Moken sea gypsy fisherman biding his time on the bow of his boat waiting for a catch. (Image by Kevin Landwer-Johan)

19. Don’t be afraid to shoot tight

While it’s true that an environmental portrait normally means showing some of the area around your subject – the environment – you can get close and still show your subject’s character.  Take an element of your subject’s hobby, and show them participating in the hobby. If they’re a model builder, you could do a tight shot of them applying glue or assembling the pieces.  This is your chance to be creative, trying different angles, focusing on different aspects of  their personality and character.  Emphasize features that stand out, in a flattering way, if that’s the goal. Find out what makes the person in front of your camera special, and capture it!

Here's my subject from the shot in front of the bridge. She's a photographer as well now, but back then she was just a hobbyist who wanted to know more about her camera. I used the beautiful sunset light I was getting, and set up a reflector to camera right to bounce the light back into her face. I wanted her peeking out from behind her camera, illustrating that she's into photography. EOS 5D Mark II with EF 24-105 f/4L IS. 1/250 @ f/4, ISO 100.
Image by Rick Berk

This is the same girl as the shot in front of the bridge. She’s a photographer as well now, but back then she was just a hobbyist who wanted to know more about her camera. I used the beautiful sunset light I was getting, and set up a reflector to camera right to bounce the light back into her face. I wanted her peeking out from behind her camera, illustrating that she’s into photography.

20. Remember to apply some editing!

If you shoot your environmental portraits in RAW – and I highly suggest you do! – then you’ll need to add some minor adjustments to ensure your photos closely match the scenes that you saw with your eyes.

Boosting the contrast, adding a touch of sharpening, recovering shadow and highlight detail, punching up the saturation slightly – these are all effective methods of creating a more natural result.

And once you’ve done that, you can always enjoy some creative editing to take your portrait to the next level. You can add a vignette to put focus on the subject’s face, you can reduce the exposure in the sky for some added drama, and you can even use dodging and burning to add some three-dimensionality to the scene!

Environmental portrait photography: additional resources

Interested in even more content on capturing outstanding environmental portraits? If so, do yourself a favor and watch this video of a training session by photographer David Handschuh and what he has learned about the topic from the last 20 years of his doing environmental portraits:

Thanks to the team at BHPhoto for putting this video out there.

How to photograph environmental portraits: final words

Environmental portrait photography opens up a realm of creative possibilities and allows you to delve deeper into your subject’s story. But remember: Crafting an impactful environmental portrait involves a fine balance. It’s an interplay of subject and setting, mood and moment, light and shadow. Each element contributes to the overall narrative, shaping how the viewer perceives and connects with the image.

By applying the techniques discussed in this guide, you’ll be well on your way to creating compelling, emotionally rich portraits. The journey might be challenging, but the rewards are incredibly fulfilling.

So the next time you’re doing portrait photography, try applying some of these tips, and see what you can create!

Now over to you:

Have you done any environmental portrait photography? What tips would you give other readers? Feel free to share your tips (and images!) in the comments below.

Note: This article was updated in October 2023 by dPS’s Managing Editor, Jaymes Dempsey.

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The post How to Create Environmental Portraits (Tips and Examples) appeared first on Digital Photography School. It was authored by Darren Rowse.



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